147

Marc Cary: Rhodes Ahead Vol. 1

Glenn Astarita By

Sign in to view read count
Jazz pianist Marc Cary pays a bit of homage to the electric piano that Harold Rhodes started developing way back in the mid-forties as Leo Fender subsequently bought the rights and appended his last name to an instrument that is cherished by many a keyboardist. With Rhodes Ahead, Vol 1 Cary performs on the rhodes, and the now ancient yet still delectable (analog) moog synthesizer, while the end results prove to be somewhat of a mixed bag at best.

The opener, a composition titled “Rhodes Ahead Intro” features groove beats and Cary’s airy chord progressions performed on the rhodes, yet his dissonant lines and tinny sounding moog EFX/soloing seems a bit superfluous or to some extent, pointless. On “Treasure Part 1” Cary provides the textures yet electric bassist Tarus Mateen turns in some fluid lines to an otherwise forgettable theme while “Inside Your Self (You’ll Find Love)” boasts a straight-four pulse and affable jungle-beat rhythms. At this juncture some of the material and concepts sound dated yet “Take Me Higher” is a hearty spin on that 70’s vibe made famous by Herbie Hancock as Cary’s dreamy and enticingly melodic statements along with a lazy funk-style backbeat hits the mark. The final track titled “Turning” boasts a breezy, ambient motif marked by Cary’s emphatic and well-placed notes. Yet at this point it may have been too little, too late

Throughout, Cary displays a sincere appreciation for this time-honored instrument while many of these pieces are nothing more than fragmented themes stitched together as we hope that this highly regarded jazz pianist comes up with a little more – compositional – substance on Vol. 2 of this series.

* * ½ (out of * * * * *)

Personnel:

Marc Cary; rhodes, roque moog, mini moog, drums, drum programming & percussion: Tarus Mateen; electric bass, vocals & drum programming on track 5: Yarbrough Charles Laws; flute on track 9 and drum programming on track 11: Terreon Gully; drums on tracks 3,4 & 7: Shariff Simmons; vocals track 8: Penny Williams; vocals track 10: Dana Murray; drum programming track 8: Roy Hargrove; background vocals on track 5.

Jazzateria web: www.jazzateria.com

| Record Label: Jazzateria | Style: Fusion/Progressive Rock


Shop

More Articles

Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read On Hollywood Boulevard CD/LP/Track Review On Hollywood Boulevard
by Budd Kopman
Published: February 19, 2017
Read Desire & Freedom CD/LP/Track Review Desire & Freedom
by Glenn Astarita
Published: February 19, 2017
Read The Motorman's Son CD/LP/Track Review The Motorman's Son
by Dan Bilawsky
Published: February 18, 2017
Read "Henrik Jensen's Followed by Thirteen: Blackwater" CD/LP/Track Review Henrik Jensen's Followed by Thirteen: Blackwater
by Phil Barnes
Published: October 21, 2016
Read "Swong" CD/LP/Track Review Swong
by Mark Corroto
Published: August 27, 2016
Read "Chant" CD/LP/Track Review Chant
by Nicola Negri
Published: December 25, 2016
Read "Avant Funk" CD/LP/Track Review Avant Funk
by Geannine Reid
Published: June 26, 2016
Read "The Gil Evans Orchestra Plays the Music of Jimi Hendrix" CD/LP/Track Review The Gil Evans Orchestra Plays the Music of Jimi Hendrix
by Sacha O'Grady
Published: August 23, 2016
Read "Ballast" CD/LP/Track Review Ballast
by Dave Wayne
Published: June 6, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!