All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Pianist Bill O'Connell has a varied career as a musician. After studying classical music he found inspiration in jazz and salsa. He shaped his instincts for the latter with Mongo Santamaria with whom he played for two years. From there he gravitated to Sonny Rollins and Chet Baker. This wide spectrum served to expand his skills and his approach to the piano. He is as adept at hard bop and mainstream jazz as he is in Latin jazz even though he is largely considered to be a proponent of Latin music.
O'Connell plays with a sense of purpose as he lays open a theme and drives it forward imbuing the concept with insight. His instinct is the creative force as he brings an unabashed sense of accomplishment to his musical journey.
"It Never Entered My Mind" is evocative not only of his approach but that of his band as well. The graceful arc of the melody is traced by Steve Slagle on the soprano saxophone which he imbues with warmly flowing lines. O'Connell adds soft sonority letting the nectar of the melody seep into the senses, as he lets this standard bathe in the mainstream.
His ideas are quite different when it comes to "Rhapsody in Blue." O'Connell pays homage to the composition and the melody on the head, only to have Slagle sideswipe it and bounce into a flamboyant pulse. O'Connell stokes the texture with a swell of notes that groove in Latin territory, an environment that is a comfort zone for percussionist Richie Flores. The arrangement is expansive; O'Connell's chart gathers the musicians and lets them open the pathways to adventure. That gives drummer Steve Berrios the space to enunciate the rhythm in tandem with bassist David Finck through an imaginatively orchestrated chart.
"Rose Hill" one of the seven tunes O'Connell wrote for this CD, profiles his softer side. The conversation between him and Slagle shows an easy rapport in the assimilation of thought and process. Slagle's yearning serenity palpitates with harmonic tension while O'Connell eases the taut harmony with forays into supple declamations and a meditative incursion into the melody.
The music is constantly charming and evocative of talent that knows how to divine a tune with conviction.
Track Listing: Monk's Cha-Cha; Pocket Change; Rhapsody in Blue; It Never Entered My Mind; J-Man; Off-Center; Two Worlds; Log-a-Rhythm; Rose Hill; Bye Bye Blackbird.
Personnel: Bill O'Connell: piano; Luques Curtis: bass; Steve Berrios: drums; Steve Slagle: alto and soprano saxophone; Richie Flores: percussion; Dave Samuels: vibraphone (1, 3); Conrad Herwig: trombone (5); David Finck: bass.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.