1

Thomas Johansson/Øyvind Storesund/Paal Nilssen-Love: Revolution Before Lunch

Mark Corroto By

Sign in to view read count
Thomas Johansson/Øyvind Storesund/Paal Nilssen-Love: Revolution Before Lunch
There is probably no way to avoid the parochial mindset of the American jazz listener. Take the release Revolution Before Lunch by the Scandinavian trio of Thomas Johansson, Øyvind Storesund, and Paal Nilssen-Love. You might listen to a few notes of Johansson's trumpet as "Close As Hail" opens the affair and think, oh yeah, it's Magnus Broo performing. Well, no, Broo is Swedish and Johansson—Norwegian. Mistaking a Norwegian for a Swede is just about as wrong as assuming a New York player sounds the same as one from L.A. or Texas. That's blasphemy.

Let me, though, make the connection, the universal free jazz connect-the-dots, between Johansson's trumpet and the citizen of the world Joe McPhee. This new trio picks up where drummer Nilssen-Love's collaborations with McPhee left off. Their collected works Candy (PNL, 2015) is the touchstone for this recording, as is, to a lesser extent, the drummer's power trio, The Thing.

Johansson is a member of the Paal Nilssen-Love Large Unit, the Ornette Coleman inspired Cortex, and the free jazz quintet Friends & Neighbors. Bassist Øyvind Storesund splits his time between the alternative rock of Cloroform, Frode Gjerstad and the Circulasione Totale Orchestra. In the latter ensemble, you can often find the busy Nilssen-Love.

These three lengthy tracks present a deliberate flow of energy, as opposed to mayhem. "Close As Hail" gains momentum from the the trumpet/bass warm up with Nilssen-Love's goading brushwork. As the energy picks up, Storesund's bass solo maintains the bulwark time and they pause for an acute and concise drum solo that morphs the piece into a blues groove you might want to loiter in all day. "Pouch Of Skin" gets even quieter. Bass and drums lay down a clover field for Johansson's calisthenics. His command of the edges of the horn and a slurry of melting and growling notes is delivered as a soapbox sermon. "Incomprehensible Beats" walks the knife's edge, threatening to have all its wheels come off. But they never do.

Track Listing

Close As Hail; Pouch Of Skin; Incomprehensible Beats.

Personnel

Thomas Johansson: trumpet, flugelhorn; Øyvind Storesund: double bass; Paal Nilssen-Love: drums.

Album information

Title: Revolution Before Lunch | Year Released: 2016 | Record Label: Tammtz Records

Post a comment about this album

Tags

Shop Amazon

More

Read Jammin' With KC
Jammin' With KC
Sylwester Ostrowski
Read What Comes Next
What Comes Next
Peter Bernstein
Read A Silent Play in the Shadow of Power
A Silent Play in the Shadow of Power
Bruno Parrinha/Abdul Moimême/Carlos Santos
Read Suite!
Suite!
Roberto Magris

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.