Veteran jazz trumpeter and flugelhorn master Dr. Bob Lark has directed many big bands in more than 20 years as Director of Jazz Studies at DePaul University in Chicago, Illinois. With Reunion, Lark reunites 22 musicians from those bands as his Alumni Big Band, debuting the group on a monster collection of powerful orchestrations. While the teacher provides the eleven original pieces, the class assignment was to pen the arrangements, as six of the alumni do so well here.
Saxophonists Jon Irabagon and Ted Hogarth, and drummers Dana Hall (Terrell Stafford) and Bob Rummage (Rob Parton's Jazztech Big Band and a professor at DePaul), are just a few of the many members of the band that have established themselves in the jazz world. It would certainly not be farfetched to assert that the caliber of players in this orchestra is world-class in every respect. Perhaps their common educational bond is one reason why. The one piece Lark did arrange on this project was the title score, drawing from the blues charts of Quincy Jones, Slide Hampton and Count Basie, and featuring the majority of the horn section in solo spots, as well as his own improvised flugelhorn salute to Clark Terry.
Hogarth's husky baritone and Irabagon's alto are the highlights of "Mad Dan's," one of two Dominic Marino arrangements. The other, "Until You," captures Lark, pianist Ryan Cohan and Irabagon on outstanding solos. Bassist Joe Policastro, trombonist Tim Coffman, tenor man Glenn Kostur and Lark do the honors on Thomas Matta's brassy arrangement of "First Steps." The first delicate ballad, "Cathy's Song," is a musical portrait for Lark's wife and he performs the solo feature warmly on flugelhorn. "Winter's Touch," the other soft ballad, finds Lark's rich flugelhorn voice fronting lush orchestrations from the band.
The band stays on the lighter side with the gentle, bossa-styled "Abruzzi," highlighting solo performances from arranger and trumpeter Kirk Garrison, vibraphonist Justin Thomas and Chris Madsen on alto. The swing is alive and well on the lively "Suggestions," but not as overtly hot as on the set's sizzling "Tango Caliente." The rare Latin-styled number, one of the more forceful pieces on the album, offers the Doctor (this time on trumpet) one last solo outing alongside trombonist Craig Sunken.
Producing a classic big band sound in the finest tradition of West Coast contemporary and progressive jazz orchestras, Chicago-based Bob Lark and his Alumni Big Band feature exciting soloists, swinging charts and sensitive ballads on their impressive debut. Reunion brings together former members and students of DePaul University's jazz bands for one more test; they no doubt receive high marks for this engaging reunion.
Track Listing: Reunion: Mad Dan's; Until You; Roatan; First Steps; Cathy's Song; Abruzzi; Suggestions; Ravenswood; Winter's Touch; Tango Caliente.
Personnel: Bob Lark: trumpet, flugelhorn; Dan Nicholson: alto saxophone, soprano saxophone; Jon Irabagon: alto saxophone, flute (1-5, 7-10); Scott Burns: tenor saxophone (2, 3, 5-11); Chris Madsen: alto saxophone, tenor saxophone (1, 2, 4, 6, 7, 9-11); Glenn Kostur: tenor saxophone (1, 3-6, 8, 9); Ted Hogarth: baritone saxophone, bass clarinet; Brent Turney: trumpet, flugelhorn; Dan Jones: trumpet, flugelhorn; Marques Caroll: trumpet, flugelhorn; Vance Thompson: trumpet, flugelhorn; Kirk Garrison: trumpet, flugelhorn (1, 4, 6, 7, 9, 11); Tim Coffman: trombone; Craig Sunken: trombone; Dominic Marino: trombone; Thomas Matta: trombone; Dana Hall: drums (2, 3, 5, 8, 10); Bob Rummage: drums (1, 4, 7, 9, 11); Joe Policastro: bass; Mike Pinto: guitar; Ryan Cohan: piano (2, 3, 5, 8, 10); Mike Stryker: piano (1, 4, 7, 9, 11); Justin Thomas: vibraphone (7).
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it. Not in this case! It seems that with every explanation, new questions arise exponentially! It's like the universe is constantly inviting (challenging) you to grow musically.