In our adult-denigrating society, I always cringe whenever I encounter an album that's "for the children." Like books in which the authors claim that part of the proceeds will be donated to charity, it's a certain bet that the there is some defect that the producers are hoping the patina of good will and charity will obviate and make "critic-proof." That is certainly the case here, for this album is a compilation of mostly banal smooth jazz ditties that dull the mind and disengage the spirit.
Gumbs is a talented pianist, to be sure, and I suspected that this CD was forced on him by the record label to attract some nonexistent "crossover" audience; however, since the Ejano label is run by the pianist himself, the damage appears to be self-inflicted. The best that can be said of the CD is that it has the feel of a second-rate Dave Grusin imitator.
Indeed, the title song, "Remember Their Innocence," featuring a melody doubled by single-line guitar and piano, I could have sworn was scene cutaway music from The Fabulous Baker Boys. There are a couple of nice tunes included, however, and the best of the lot is undoubtedly "Sol Brilho," a swinging samba featuring guitarist Romero Lumbambo of Trio da Paz and the ever reliable alto saxophonist Sadao Watanabe.
Other featured artists include Branice McKenzie, a serviceable singer who does a decent job on the torch song "Maybe Next Year" that has changes similar to those of "How Long Has This Been Going On?". Eddie Allen presents a nice straight-ahead trumpet solo on "Innerchange."
Track Listing: Prologue; Healing Zone; Remember Their Innocence; Sol Brilho (Sunshine of Dreams); Innerchange; Maybe Next Year; All I Hear (Quiet Passion); Virgo Rising; Crystal Images; You Just Don't Know; Playtime; Shadowlight; Your Love; Epilogue.
Personnel: Onaje Allan Gumbs (piano, keyboards), Roger Byam (tenor and soprano saxophone), Kenny Davis (bass), Billy Kilson (drums), Larry Argese (acoustic guitar), Sadao Watanabee (alto saxophone), Romero Lubambo (acoustic guitar), Gregoire Maret (harmonica), Caf
I love jazz because is about creation.
I was first exposed to jazz when a was a kid.
The best show I ever attended was Pat Metheny Trio in Puerto Rico /
The first jazz-fusion record I bought was Return to Forever.