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While rising star trombonist Michael Dease's previous albums have all been small group affairs, much of his sideman work has marked him as something of a large ensemble specialist. He's put his slide to good use in numerous big bands and jazz orchestras, including those led by Christian McBride, Charles Tolliver, Roy Hargrove, Rufus Reid, and Nicholas Payton. Given that information, it should come as no great surprise that Dease decided to make a go of fronting his own big band.
Relentlessthe rising star trombonist's sixth album, and his first on the Posi-Tone imprintfinds Dease in charge of a group that's populated with other big band mainstays (trumpeters Seneca Black and Greg Gisbert), young jazz heavies (bassist Linda Oh, drummer Ulysses Owens, Jr., saxophonist Sharel Cassity), and a few welcome guests (trombonist Wycliffe Gordon and guitarist Andrew Swift). The program reads like a history of Dease's commissions and musical upbringing. He reclaims arrangements originally penned for Hargrove's group (Duke Pearson's "Is That So"), the WDR Big Band (Eric Alexander's "Little Lucas"), and the Webster Groves High School Big Band ("Webster Grooves"); he expands music previously recorded in a small group setting ("Relentless") and looks back on his early attempts at writing for big band ("The Takeover"); and he reshapes classics that he's learned to love over the years ("Two Bass Hit," I'm Glad There Is You," and "Autumn Leaves").
Dease's charts kick, swing, leave lots of room for soloists, and occasionally put each section to the test with fiery, finger-busting passages. It's not all high energy, adrenaline-fueled music, but the most memorable performances"The Takeover," "Roppongi," and "Two Bass Hit"tend to get the pulse racing in some way.
Groups like this tend to be studio-made bands, not working units, so it'll be interesting to see if Dease can get this group on the bandstand and develop what he's started. It's a unit with plenty of muscle, driven by a leader with boundless talent, so here's to hoping that Dease can keep it afloat and help it evolve.
Track Listing: Is That So; Force; Relentless; I'm Glad There Is You; The Takeover; Little Lucas;
Roppongi; Two Bass Hit; Webster Grooves; Autumn Leaves.
Personnel: Michael Dease: trombone, musical director; Todd Bashore: alto saxophone, flute; Tim
Green: alto saxophone, flute; Diego Rivera: tenor saxophone; Sharel Cassity: tenor
saxophone; Tony Lustig: baritone saxophone; Adam Rongo: tenor saxophone (7);
Seneca Black: trumpet; Greg Gisbert: trumpet; Alphonso Horne: trumpet; Etienne
Charles: trumpet; Alex Norris: trumpet; Benny Benack III: trumpet; Anthony Stanco:
trumpet; Tom "Bones" Malone: trombone; Jerrick Matthews: trombone; Coleman
Hughes: trombone; Jeff Nelson: bass trombone; Ron Wilkins: trombone; Peter Nelson:
trombone (7, 10); Wycliffe Gordon: trombone (10), vocals (8), slide trumpet (8); Miki
Hayama: piano; Linda Oh: bass; Ulysses Owens Jr.: drums; Andrew Swift: guitar (7);
Gwendolyn Burgett: percussion.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.