ECM has recorded the gifted and goofy composer and keyboardist Carla Bley for three decades, and this single disc career retrospective is a brilliantly compiled testimony to the breath and depth of Bley's singular talent. Until Bley, humor in jazz was primitively realized at best (e.g. vaudeville antics of Slim & Slam, Dizzy's hipster's jokes). She actually brought a cosmopolitan wit to jazz, a jazz player who knew Satie not as a tonal impressionist so much as a musical trickster. This disc opens with that facet in our faces, "Baseball," her octet's musical evocation of the noises associated with the game quite cooly and tunefully arranged. "On the Stage in Cages," does an equally humorous portrait of circus sounds, drawing perhaps on her other classical wellspring, Charles Ives, performed by her thunderous big band.
These bits of jazz humor, uproariously memorable as they are, represent just a fraction of this disc. There is a bit of a proto-bop daredevil jam ("Chicken") with long-time musical comrades bassist Steve Swallow and saxophonist Andy Sheppard, a touch of elegant big band tone-poetry ("Fleur Carnivore"), and a rock/jazz/neo-Wagnerian opera with a guest vocal by Linda Ronstadt ("Escalator Over the Hill"). Closing the disc is the dryly abstract Bley tune "Ictus," recorded by her ex-husband pianist Paul Bley on multiple occasions, this time with Steve Swallow and clarinetist Jimmy Giuffre.
Think of Paul Bley's steely introversion in light of Carla Bley's comic extroversion. Through her various formats, ranging from duo to huge big band, Carla Bley has always loved presenting jazz as a spectacle, as a colorful, blasting, brassy, bossy, audacious event. The late Cuban diva Celia Cruz sang "Life is a Carnival." Carla Bley and her various musicians never seem far from that perspective.
Track Listing: 1. Baseball, 2. Major, 3. End of Vienna, 4. Chicken, 5. On the Stage in Cages, 6. Fleur Carnivore, 7. More Brahms, 8. Walking Batteriewoman, 9. Silence, 10. Why, 11. Ictus
Personnel: Carla Bley, Steve Swallow, Andy Sheppard, Wolfgang Puschnig, Gato Barbieri, Dewey Redman, Jim Pepper, Jimmy Lyons, Roswell Rudd, Charlie Haden, D. Sharpe, Vistor Lewis, Linda Ronstadt, Annie Whitehead, and many others.
I love jazz because it is the only existing music style which let you
I was first exposed to jazz by Gunther Hampel in Hamburg, around 1972.
I met Ornette Coleman, Butch Morris, Karl Berger, Michel Camilo, a.o.
The best show I ever attended was Salif Keita at the Blue Note in
The first jazz record I bought was the Tony Scott and Hozan Yamamoto
My advice to new listeners: when you listen to my music, please be a
part of it.