135

Jacob Fred Jazz Odyssey: Race Riot Suite

Doug Collette By

Sign in to view read count
Jacob Fred Jazz Odyssey: Race Riot Suite Jacob Fred Jazz Odyssey's Race Riot Suite is a reminder how adventurous the group has always been since its inception in 1994—never more so, perhaps, than in its latest incarnation, in place beginning in 2010.

Four intervals, labeled "Prayers," are interspersed throughout the seven formally labeled tracks and allow JFJO to demonstrate its own collective and individual skill at improvisation. That cursory and close listens whet the appetite for more such jamming is a tribute to the judicious way this album was recorded and produced in the same city where the events took place. It's a tribute to the writing and the playing of all involved that the transitions in and out of the structure are seamless. Chris Combs' lap steel solo on "Black Wall Street" is as jaunty as double bassist Jeff Hershbarger's, and both interludes extend the mood of the structured piece.

That said, the group's deference to a star-studded horn section on this extended composition is startling on first listen and confounding on subsequent spins. Inspired by the 1921 riot in Tulsa, Oklahoma, this extended suite—written, arranged and orchestrated by Combs—finds the five-man woodwind complement prominent from the very start. The core quartet then serves to embroider themes such as those stated on "Prelude," for instance, which are then recapitulated by trumpeter Steve Bernstein, baritone saxophonist Peter Apfelbaum, tenor saxophonist Jeff Coffin, tenor saxophonist Matt Southerland and trombonist Matt Leland.

Having accompanied the likes of Bela Fleck, Don Cherry and Levon Helm, among others, each of those horn players has a well-earned pedigree justified during the course of Race Riot Suite. Playing in unison, they fashion the backdrop for "Mt Zion," which segues neatly from pianist Brian Haas' carefully- configured intro, in itself an extension of "First Prayer"; the reflective nature of his playing there, in counterpoint to the horns, clearly represents the cultural conflicts at the heart of the story.

As the suite reaches its most dramatic moments during "Grandfather's Gun," the circular nature of the piece becomes evident, as does the recession of JFJO into background players on its own piece. Some promising call-and-response between horns and piano gives way to dueling saxophones on the feverish "Cover Up," one of the few such junctures here, begging the question of how much JFJO themselves will expand its role in this whole piece when and if it's played live, sans horns.

As the invocation of peace in "Third Prayer" morphs from mere suggestion to overt declaration on the fitful "Eye of the Dove," Haas' surrender of the spotlight to Apfelbaum is a reminder of how little has been heard of the pianist and his three JFJO comrades during the course of this 46-plus minutes. The confluence of motifs within the recording on this disc tantalizes as much as it fulfills, thus rendering repeated listenings necessary, if only to better glean the nuances of the piece itself, as well as the instrumental personalities involved.

Track Listing: Prelude; Black Wall Street; Burning; First Prayer; Mt. Zion; Lost In the Battle For Greenwood; Second Prayer; Grandfather's Gun; Cover Up; Third Prayer; Eye of the Dove; Last Prayer.

Personnel: Brian Haas: piano; Chris Combs: lap steel; Josh Raymer: drums; Jeff Hershbarger: bass; Jeff Coffin: tenor saxophone; Steven Bernstein: trumpet; slide trumpet; Peter Apfelbaum: baritone saxophone; Mark Southerland: tenor saxophone, homemade horns; Matt Leland: trombone.

Year Released: 2011 | Record Label: Kinnara Records | Style: Beyond Jazz


Related Video

Shop

More Articles

Read This Is The Uplifting Part CD/LP/Track Review This Is The Uplifting Part
by Karl Ackermann
Published: March 22, 2017
Read Ziljabu Nights - Live at Theater Gutersloh CD/LP/Track Review Ziljabu Nights - Live at Theater Gutersloh
by Glenn Astarita
Published: March 22, 2017
Read Super Hi Fi Plays Nirvana CD/LP/Track Review Super Hi Fi Plays Nirvana
by Chris M. Slawecki
Published: March 22, 2017
Read Glare of the Tiger CD/LP/Track Review Glare of the Tiger
by Mark Corroto
Published: March 22, 2017
Read From Two Balconies CD/LP/Track Review From Two Balconies
by Geno Thackara
Published: March 21, 2017
Read "Triloka: Music for Strings and Soloists" CD/LP/Track Review Triloka: Music for Strings and Soloists
by Ian Patterson
Published: March 16, 2017
Read "Natural Language" CD/LP/Track Review Natural Language
by Hrayr Attarian
Published: September 2, 2016
Read "Billionaire Blues" CD/LP/Track Review Billionaire Blues
by Mark Werlin
Published: January 19, 2017
Read "Reflection" CD/LP/Track Review Reflection
by Nenad Georgievski
Published: January 14, 2017
Read "Twin Talk" CD/LP/Track Review Twin Talk
by Mark F. Turner
Published: September 19, 2016
Read "Serpentines" CD/LP/Track Review Serpentines
by John Sharpe
Published: December 15, 2016

Post a comment

comments powered by Disqus

Sponsor: DOT TIME RECORDS | BUT IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!