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"Latin music, I always thought, had something special going for it, a rhythmic invention, a pulse, that's free and uplifting."
Guitarist Ry Cooder, in an interview with George Varga for The San Diego Union.
The bets are in, and it's running about three-to-one that you've never heard anything quite like Brass Roots Purple Cha Cha Heels before. Latin music, distilled to a pure essence. Two trombones, a trumpet, baritone sax, and, of course, the congas. Chamber mambo, if you will.
Composer/arranger/trombonist Jim "Mondongo" Messbauera top trombone gun on the vibrant New England jazz scene for the last fifteen yearsis the brains behind Brass Roots. "Mondongo" composed all fifteen songs on Purple Cha Cha Heels, and the sound issurprisingly, for such a small groupfull and rich and delicious, brimming with smooth caressing rhythms. Uplifting, as Ry Cooder says.
The CD's title, various song titles, and some of the photos of the band suggest an undercurrent of whimsy; these guysand one gal, the twenty-five year old Venesuelan percussionist, Ana Norgaardare obviously having a good time here, but it's also clear that they are very serious about their music.
Purple Cha Cha Heels is an infectious, energizing, uplifting set. If you don't get up and mambo about a minute into this one, whether you know how to or not, check your pulse.
Track Listing: A Day in the Life of an Afro, Free for a Dollar, Purple Cha Cha Heels, Carnival, Fajita Fajardo,
Cruzin', Let It Slide, Company Pongase Duro, Merengana, Those Who Trespass Against Us, Kick
Your Culo, Chachita, Chau, Tjader Dude, When Elephants Fly
Personnel: Russel Jewell, trombone; Jim "Mondongo" Messbauer, trombone; Ana Norgaard, congas, bata
drums, cowbell maracas, timbales, guiro; Scott Aruda, trumpet; Tim Meyer, baritone sax, flute;
special guest--Gonzalo Grau, piano, guira y tambura on "Merengana"
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.