If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
It was another productive year for "Team AAJ" as we delivered some new features and upgraded several others across the website. We also beefed up our editorial staff to better manage the increasing number of contributors. The programming staff (Mike Lorenz and myself) continued to build on our foundation that has firmly established AAJ as the nexus for jazz online. And the esprit de corps is stronger than ever as we forge ahead in 2009. Last year's accomplishments ranged from subtle refinements to dramatic improvements and our impressive spike in traffic has kept us inspired and focused. Musicians have also encouraged us with their praise and suggestions. Thanks everyone! 2009 is already proving to be another exciting year. We're developing a new photo gallery, we're working on a streaming audio solution (so musicians can showcase their music), we're building a gathering place for students, and we're reviewing how best to deliver video. Back to 2008 and the music. I heard somewhere (NPR?) that 2008 wasn't a very good year for jazz music. That person and I are obviously not on the same service lists, as I was exposed to consistently strong efforts every day. From the thousands of CDs that arrived at AAJ HQ, here are some that received the most ear play. I highlighted some specific releases from Sunnyside Records as well as some standout vocal releases. In no particular order...
I love jazz because it is the most diverse music genre.
I was first exposed to jazz a long time ago.
The best show I ever attended was Henry Threadgill's very very Circus at SJU jazzpodium in Utrecht.
The first jazz record I bought was Coleman Hawkins Big Band live at The Savoy Ballroom 1940.
My advice to new listeners is to attend as many concerts you can even though you may not know the musicians who are playing.
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