All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Much of guitarist John Pizzarelli’s work has been modeled after the drummerless trio of Nat King Cole. In 1994 John paid tribute to his idol with his recording, Dear Mr. Cole. P.S. Mr. Cole is, obviously, a sequel to that effort. Tutored by his legendary father, guitarist Bucky Pizzarelli, John is a fine rhythm player and soloist, but his singing is only average. Nevertheless, his engaging style and relaxed delivery tend to compensate for his vocal limitations. Joining the guitarist are pianist Ray Kennedy and John’s bass-playing brother Martin. Both men are perfectly attuned to Pizzarelli’s mainstream aesthetic and supply competent support. Old friend Harry Allen (tenor) pops in on two tunes and contributes a pair of succinct, swingin’ solos. The bulk of the generous, 18-track repertoire is comprised of swing-era standards and chestnuts. One could tire of hearing another run-through of such lightweight fare if Pizzarelli was not such an unpretentious, charming entertainer. As it stands, P.S. Mr. Cole makes for enjoyable, if undemanding, listening. (###)
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.