All About Jazz needs your help and we have a deal. Contribute $20 (or more) and we'll hide those six pesky Google ads that appear on every page for a full year! You'll also fund website expansion.


I want to help

382

James Carter: Present Tense

Troy Collins By
Published:
Sign in to view read count
James Carter: Present Tense Omnipresent in the late 1990s, James Carter's output has been erratic ever since Atlantic Records (his former label) dissolved their jazz department in 2000. A pleasing return to form, Present Tense is the poll-winning multi-instrumentalist's first recording in three years, ably produced by the renowned Michael Cuscuna, whose goal was to "capture the breadth of James' mastery of this music."

After a string of concept albums, including the electric free-funk of Layin' In The Cut (Atlantic, 2000), an acoustic Django Reinhardt tribute, Chasin' The Gypsy (Atlantic, 2000), a string-laden homage to Billie Holiday, Gardenias For Lady Day (Columbia, 2003) and the recent ode to seminal indie rockers Pavement, Gold Sounds (Brown Brothers, 2005), Carter returns to more conventional territory on his Emarcy Records debut.

Carter demonstrates his diverse talents on an array of horns in a subtly varied program that is closer in spirit to his early DIW recordings than his recent thematic output. An accessible mix of ballads, blues, bop, swing and Latin tunes, the bulk of the session consists of obscure covers, with three pieces written by the leader.

Trumpeter Dwight Adams, pianist D.D. Jackson, bassist James Genus and drummer Victor Lewis make up the core quartet, with special guest appearances by guitarist Rodney Jones and percussionist Eli Fountain. Refraining from prolix testimonials, Carter keeps his statements short and concise, with ample solo room allotted for his sidemen.

Although he possesses a notorious penchant for showy pyrotechnics, Carter is a staunch traditionalist at heart—this session highlights his poetic side, largely avoiding histrionics. A nostalgic vibe permeates the session, further reinforcing Carter's tough but tender approach.

The album mixes up-tempo fare with languorous excursions, swinging from the first note with the brisk bop of Stanley Turrentine's "Rapid Shave." Adams and Jackson contribute pithy statements before Carter launches the tune into the stratosphere with a capricious baritone solo. Carter handles the big horn with imposing dexterity on Gigi Gryce's up-tempo cooker "Hymn of the Orient."

A dynamic vehicle for Carter's spasmodic bass clarinet, "Bro. Dolphy" pays homage to the great multi- instrumentalist Eric Dolphy, framing a solemn blues with blistering free-bop. Arriving from the opposite end of the instrumental spectrum, the relaxed bop of "Dodo's Bounce" displays Carter's deft flute skills.

Rich with effusive lyricism, the romantic soprano feature "Pour Que Ma Vie Demeure," cinematic bass clarinet meditation "Shadowy Sands" and opulent tenor-driven tango "Sussa Nita" offer lithe euphony.

Only "Song of Delilah" sounds out of place with its subtle hip-hop rhythmic inflections and overdubbed tenor—his chosen horn on the percussively buoyant "J.C. Bossa." "Tenderly" closes the album with an extended feature for the leader's supple baritone and Adams' Harmon-muted horn.

While by no means conceptually groundbreaking, Present Tense gracefully captures Carter's impressive abilities as a foremost interpreter of America's greatest art form.


Track Listing: Rapid Shave; Bro. Dolphy; Pour Que Ma Vie Demeure; Sussa Nita; Song of Delilah; Dodo's Bounce; Shadow Sands; Hymn of the Orient; Bossa J.C.; Tenderly.

Personnel: James Carter: flute, bass clarinet, soprano saxophone, tenor saxophone, baritone saxophone; Dwight Adams: trumpet, flugelhorn; D.D. Jackson: piano; Rodney Jones: guitar (4, 6, 9); James Genus: bass; Victor Lewis: drums; Eli Fountain: congas, percussion (4, 7, 9).

Year Released: 2008 | Style: Straight-ahead/Mainstream


Shop For Jazz

Live Reviews
Extended Analysis
CD/LP/Track Review
Extended Analysis
Live Reviews
Read more articles
Caribbean Rhapsody
Caribbean Rhapsody
EmArcy
2011
buy
At The Crossroads
At The Crossroads
EmArcy
2011
buy
James Carter Organ Trio: At The Crossroads
James Carter Organ...
EmArcy
2011
buy
James Carter: Caribbean Rhapsody
James Carter:...

2011
buy
Present Tense
Present Tense

2008
buy
Out of Nowhere: Live at the Blue Note
Out of Nowhere: Live...
Half Note Records
2005
buy
Miles Davis Miles Davis
trumpet
John Coltrane John Coltrane
saxophone
Roy Hargrove Roy Hargrove
trumpet
Wynton Marsalis Wynton Marsalis
trumpet
Dizzy Gillespie Dizzy Gillespie
trumpet
Sonny Rollins Sonny Rollins
saxophone
Kenny Garrett Kenny Garrett
sax, alto
Wayne Shorter Wayne Shorter
saxophone
Chris Potter Chris Potter
reeds

More Articles

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.