Jack McDuff Big Band: Prelude

This new approach was an obvious attempt to attract a crowd who may have had their fill of Smith albums and were looking for something new, and thus features a lot less of the grease and blues that organ groups generally offer. However, a happy medium is achieved between the combo and the ensemble on the first half, which comprises one entire album.

The high-powered horn riffs adds an extra punch to the more standard fare, while adding subtlety to the more nuanced ventures like Prelude, a feat that the organ-guitar-drums setup could never have achieved. Everything clicks on the first half, but the rest of the album is laden with inferior material; in an attempt to carve out new territory for the organ, McDuff sacrifices a lot of what makes the setting compelling in the first place. The guitarists are buried in the mix and the arrangements are overly exacting and rehearsed, squelching the off the cuff jam session feel that predominates the best organ records.

Along with George Benson’s “Rock A Bye” – a serviceable blues – the only standout track is the Pink Panther Theme; what could have been a hackneyed version evolves into a steaming “Fables of Faubus” style workout in the middle. Except for these two tunes, the latter half is mostly forgettable, featuring too many tunes that just don’t fit the presentation, like the rinky-dink “English Country Gardens” and “Shortnin’ Bread.” The last four tracks were recorded late in the sixties and, given the times, represent the inevitably horrid outcome of a fixation on horn-driven rock’n’roll.

Still, it’s hard to argue against a collection that delivers a full album’s worth of great songs before it’s half over. Hardly essential, but those who've appreciated the other McDuff albums will find something to enjoy here.

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