211

Tom Jones: Praise and Blame

C. Michael Bailey By

Sign in to view read count
Tom Jones: Praise and Blame In his brilliant alternate reality novel, The Yiddish Policemen's Union (HarperCollins, 2007), Michael Chabon has a fellow Jewish detective tell plot-protagonist Meyer Landsman that, "it's a strange time to be a Jew." Apparently, it is a strange time to be a Christian also. In what time would it not be strange that 1960s Welsh sex symbol Tom Jones turns 70 and releases an album of American gospel and spirituals, one that is really quite excellent? These are strange times, indeed. Could we possibly be further from "It's Not Unusual" and "What's New, Pussycat"?

Tom Jones never quit recording after his heyday in the 1960s. He and Elvis Presley took the same Las Vegas professional route and both ended up in exile, albeit two very different ones. Adding the mystical late-period Johnny Cash to the mix, and the context in which to consider this Jones release emerges. That said, now the obvious must be stated: Jones has released Praise and Blame into the same creative category as Presley's 1968 comeback period and Johnny Cash's American Recordings.

Using a small, organic band, employing a banjo, steel guitar and accordion, Jones interprets a variety of lesser-known spiritual Americana tunes. A stark and simple reading of Bob Dylan's "What Good am I," from Oh, Mercy (Columbia, 1989), introduces the disc, displaying a voice scarcely diminished by time. Jones, like Presley and Cash, was blessed with an instrument of singular grace. He recasts Jesse Mae Hemphill's "Lord Help" in the guise of Led Zeppelin's "How Many More Times," from Led Zeppelin (Atlantic, 1969,—or, perhaps more appropriately, Howlin' Wolf's "How Many More Years" (Chess, 1951). Jones digs deep.

Sister Rosetta Tharpe's "Strange Things" is given a black rockabilly treatment: acoustic, urgent, rocking. But it is with John Lee Hooker's "Burning Hell" that Jones rips up the floorboards to reveal the True Vine, as transmitted by Ethan John's slashing slide guitar recalling Jimmy Page on "In My Time of Dying." Voice, guitar, and drums summon a mean spirit, difficult to satisfy.

The most potent comparison with Johnny Cash's final recordings, Jones covers "Ain't No Grave" (which opened Cash's final American recording, American VI: Ain't No Grave (American Recordings, 2010)), replete with banjo and steel guitar. Ending the disc is "Run On," which Cash covered as "God's Gonna Cut You Down" on American V: A Hundred Highways (American Recordings, 2006). Here, Jones—backed by a Muddy Waters power trio—displays the vocal prowess that made him famous 50 years before.

So, what must be made of Jones' contrition and conversion? Does the one-time pop idol have any right whatsoever to plunder the American hymnal? The answer is: yes, and the reason is: like Elvis Presley, he has such a voice and command of the material that he can make it his own. Jones has never made a better recording, nor one to be taken more seriously.

Track Listing: What Good Am I?; Lord Help; Did Trouble Me; Strange Things; Burning Hell; If I Give My Soul; Don't Knock; Nobody's Fault But Mine; Didn't It Rain; Ain't No Grave; Run On.

Personnel: Tom Jones: vocals; Benmont Tench: piano; Dave Bronze: bass; Richard Causon: harmonium; B.J. Cole: guitar (steel); Christopher Holland: organ; Ian Jennings: bass; Ethan Johns: banjo, bass, guitar, percussion, background vocals, Booker T. Jones: piano, Hammond B3 organ; Augie Meyers: Farfisa organ; Henry Spinetti: drums; Jeremy Stacey: drums; Allison Pierce: background vocals; Louis Price: background vocals; David Rawlings: background vocals; Camilla Staveley-Taylor: background vocals; Emily Staveley-Taylor: background vocals; Jessica Staveley-Taylor: background vocals; Oren Waters: background vocals; Gillian Welch: background vocals; Terry Young: background vocals.

Title: Praise and Blame | Year Released: 2010 | Record Label: Island Records


Tags

Related Video

comments powered by Disqus

More Articles

Read I Believe In You CD/LP/Track Review I Believe In You
by Dan Bilawsky
Published: August 18, 2017
Read Morning Sun CD/LP/Track Review Morning Sun
by Jack Bowers
Published: August 18, 2017
Read The Conscience CD/LP/Track Review The Conscience
by John Sharpe
Published: August 18, 2017
Read Harlem CD/LP/Track Review Harlem
by James Nadal
Published: August 18, 2017
Read Open Book CD/LP/Track Review Open Book
by Dan McClenaghan
Published: August 17, 2017
Read Stolen Moments CD/LP/Track Review Stolen Moments
by Jack Bowers
Published: August 17, 2017
Read "Time/Life:Songs For The Whales And Other Beings" CD/LP/Track Review Time/Life:Songs For The Whales And Other Beings
by Ian Patterson
Published: May 17, 2017
Read "December Avenue" CD/LP/Track Review December Avenue
by Karl Ackermann
Published: April 2, 2017
Read "Invention of Knowledge" CD/LP/Track Review Invention of Knowledge
by Glenn Astarita
Published: September 9, 2016
Read "The Evolution Suite" CD/LP/Track Review The Evolution Suite
by Dan McClenaghan
Published: October 4, 2016
Read "Apprentice" CD/LP/Track Review Apprentice
by Alex Franquelli
Published: October 29, 2016
Read "Desire & Freedom" CD/LP/Track Review Desire & Freedom
by John Sharpe
Published: January 25, 2017

Sponsor: JANA PROJECT | LEARN MORE  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.