With an urbane, beautifully harmonic, clean-edged sound, Portal seems an updated brand of West Coast cool, by way of the Northwest (Seattle) this time around, like a mix of Chico Hamilton's chamber bands, the fluid guitar work of Wes Montgomery, and that dry, cool approach of Paul Desmond's sax work stirred up in one groove-oriented band. Dave Peterson's guitar combined with George Cables' piano kick the harmonic mix up a notch or three on a set that depends more on the group sound than it does out-in-front soloing.
"Rhythm Tune" showcases drummer John Bishop's complex and engaging percussion work; and I must admit it took a couple of spins of the disc to appreciate his stuff. He rides with the flow and doesn't call attention to himself, with a busy style that weaves all manner of textures behind the soundscape. The more I listen to other Origin discs on which he plays ( Brent Jensen/Rob Walker Quintet with New Stories ), the more apparent the importance his contribution to the group sound becomes.
With the exception of "Mr. Schmeil," a two minute bass solo by Deardorf, and the closer, Wayne Shorter's "Ana Maria," the tunes are all Dave Peterson originals, full of sharp gleaming edges and shining facets and neat grooves, catchy, stick-in-the-head melodies, and a very accessible sound that reveals deeper complexities on multiple listens. It's a great group sound that rewards separate spins just to listen to each member's individual contribution.
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith. We hung out at my Aunt Kate's Soul Food restaurant in Harlem after the matinees at the Apollo where I listened to their stories. I knew I wanted to be a jazz musician from then on. My mother wanted me to play piano, but my Aunt bought me a guitar. I've been playing ever since.
At my mother's early prompting, I first sang Blue Velvet at my Catholic elementary school...and all the nuns came running in and asked me to sing again, so I knew I must have sounded pretty good. I've been singing ever since.
I met Tony Bennett in Miami and he inspired me to return to New York. He was a great mentor.
The best show I ever attended is mpossible to say, I've seen so many great shows. From Tony Bennett to Pat Martino, Return to Forever to Weather Report...I've seen some great performances.
My advice to new listeners is don't let jazz intimidate you, the music has something for every listener and it is our American gift to the world.