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Although he’s been on the Concord label for several years now, it seems that the well spring of material that Joey DeFrancesco cut for Joe Fields’ HighNote imprimatur continues to be harvested with the latest offering being this 1998 session recorded in 24-bit digital splendor by the legendary Rudy Van Gelder. Don’t look for the title on this one to provide much more than a unifying element for the tunes included, which just happen to be numbers that ‘Ol’ Blue Eyes’ recorded at some point during the span of his career. Known to vocalize somewhat himself, DeFrancesco does no singing here either. The emphasis is on the type of hard swinging groove music that has always been this organist’s main form of expression.
In the company of Houston Person (who led DeFrancesco to the Muse label many years ago), guitarist Melvin Sparks, and longtime drummer Byron Landham, our leading man delivers nine selections that all clock in at around the five to six minute length. With its clever opening vamp, “Pennies From Heaven” finds DeFrancesco at his boppish best, with Sparks weighing in with his own juicy chords in support (as well as a solo that includes a clever “shave and a hair cut” quote to boot). At the start of his career I happened to interview Joey and he commented on how much he dug the bass lines of Groove Holmes. That he’s developed his own way with those foot pedals is clear on this performance alone.
There’s really no need to analyze each individual track here, as anyone even remotely familiar with DeFrancesco will be aware of his mastery of the mighty B-3. Van Gelder’s sound job brings Joey and the guys right into your living room. This no frills affair may be short on the revolutionary, but it will surely please fans of DeFrancesco, Person, and Sparks.
Track Listing: I Get a Kick Out Of You, Teach Me Tonight, Pennies From Heaven, What's New, Witchcraft, What Now My Love, Don't Worry 'Bout Me, Falling In Love With Love, Angel Eyes
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.