395

The Wrong Object featuring Annie Whitehead and Harry Beckett: Platform One

John Kelman By

Sign in to view read count
The Wrong Object featuring Annie Whitehead and Harry Beckett: Platform One Belgium's The Wrong Object is on a roll. An album as strong as The Unbelievable Truth (MoonJune, 2007), documenting a first (and, sadly, only) encounter in 2005 with the late British saxophone legend Elton Dean, would be more than enough for any group in any year. But with Platform One, this intrepid art/rock group teams with another legend—trumpeter Harry Beckett, born in Barbados but a fixture on the British scene since the 1950s—and trombonist Annie Whitehead, who may not be a legend yet, but deserves to be. Recorded live, Platform One isn't necessarily better than The Unbelievable Truth, but it is more powerful, brimming with reckless abandon and rock energy.



The term reckless abandon makes a lot of sense for The Wrong Object. The group's reputation was first established paying tribute to the music and, more importantly, spirit of the late Frank Zappa. Platform One features two Zappa covers—the complex, twisting and turning and ultimately swinging "Big Swifty, from Waka/Jawaka (Ryko, 1972), and the slower but no less visceral "Filthy Habits, from Sleep Dirt Ryko, 1979). The former features a lithe and unpredictable solo from Whitehead, while guitarist Michel DelVille's unfettered solo on the latter approaches Zappa's solo of complete abandon on "Zombie Woof, from Overnight Sensation (Rkyo, 1973).



There's no shortage of fine original material either. The brief improvised fanfare of "Intruth leads into Delville's Middle Eastern-tinged "Honeypump Riff, where bassist Damien Polard and drummer Laurent Delchambre propel a brief but outrageous Zappa-esque solo from DelVille, before Jean-Paul Estiévenart takes an increasingly frenetic trumpet solo that's equally matched by Whitehead. The guitarist's episodic "Wet Weather Wet moves from gentle waltz to "Peter Gunn -style rifferama to periods of greater freedom that the group navigates with complete ease.



The rest of the album features equally strong material by Whitehead and Beckett. Whitehead's title track, a 5/4 minor blues, is introduced by a probing a capella trombone solo that is reason alone for Whitehead to garner greater international acclaim, while "This Affects That swings hard, but is kept sonically off-kilter by DelVille's guitar synth. It's a testimony to the flexibility of the group and its guests that Beckett's fiery and open-ended "Scarlet Mine, from 1970's Flare Up, sounds absolutely contemporary thirty-five years later. Beckett's elegant flugelhorn work is featured on "Tinseltown, an elegant jazz waltz carried by The Wrong Object's flexible support.



That Platform One sounds like a group that's played together longer is even more remarkable for the fact that the group and its guests never met prior to hitting the stage. Instead, they passed mp3 files back and forth before meeting, so each could learn the other's material. It may be a new way of dealing with the prohibitive costs of bringing geographically distanced artists together, but based on the many wondrous sounds of surprise on Platform One it's one that, in the hands of capable musicians, clearly works just fine.


Track Listing: Intruth; Honeypump Riff; Big Swifty; Platform 1 - Intro; Platform 1; Filthy Habits; This Affects That; Wet Weather Wet; Scarlet Mine; Tinseltown; Hello Max.

Personnel: Annie Whitehead: trombone; Harry Beckett: trumpet, flugelhorn; Michel Delville: guitar, guitar synth, electronics; Fred Delplancq: tenor sax; Jean-Paul Esti

Title: Platform One | Year Released: 2007 | Record Label: Jazzprint


Tags

comments powered by Disqus

More Articles

Read Day After Day CD/LP/Track Review Day After Day
by John Eyles
Published: July 21, 2017
Read We Know Not What We Do CD/LP/Track Review We Know Not What We Do
by Glenn Astarita
Published: July 21, 2017
Read Slade Alive! CD/LP/Track Review Slade Alive!
by C. Michael Bailey
Published: July 21, 2017
Read Hope CD/LP/Track Review Hope
by Karl Ackermann
Published: July 21, 2017
Read The Better Angels of Our Nature CD/LP/Track Review The Better Angels of Our Nature
by Karl Ackermann
Published: July 20, 2017
Read What Brought You Here? CD/LP/Track Review What Brought You Here?
by Troy Dostert
Published: July 20, 2017
Read "Relaxin’ With the Miles Davis Quintet" CD/LP/Track Review Relaxin’ With the Miles Davis Quintet
by C. Michael Bailey
Published: July 19, 2017
Read "The Colours Suite" CD/LP/Track Review The Colours Suite
by Glenn Astarita
Published: May 29, 2017
Read "Planetary Prince" CD/LP/Track Review Planetary Prince
by Christopher Hoard
Published: March 11, 2017
Read "Risc" CD/LP/Track Review Risc
by Mark Corroto
Published: July 29, 2016
Read "Blue And Lonesome" CD/LP/Track Review Blue And Lonesome
by Doug Collette
Published: February 4, 2017
Read "More Essentials" CD/LP/Track Review More Essentials
by Dan McClenaghan
Published: October 12, 2016

Support All About Jazz: MAKE A PURCHASE  

Support our sponsor

Upgrade Today!

Musician? Boost your visibility at All About Jazz and drive traffic to your website with our Premium Profile service.

Donate!