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Scott Hamilton

Scott Hamilton is the premier 'mainstream' saxophonist of today. Born in Providence, Rhode Island, in 1954, he came along at the time when the kind of jazz he loved-the small-group swing of such great stylists as Illinois Jacquet and Eddie Lockjaw Davis-was out of fashion, and largely out of the public ear. Scott's handsome sound and impeccable phrasing were a rare commodity among young jazzmen. So when he signed to Concord Records, and began making albums for label boss and mainstream advocate Carl Jefferson, it caused surprise and excitement among both devotees of the style, and in the wider musical world. His first Concord set, [Scott Hamilton is A Good Wind Who IS Blowing Us No Ill] was made in 1977 and took it’s title from an admiring remark from veteran jazz critic Leonard Feather

ARTICLE: INTERVIEWS

Chuck Redd: 40 Years On the Road

Read "Chuck Redd: 40 Years On the Road" reviewed by Mark Robbins

Chuck Redd is a busy, busy man. This interview took place after one of his many sets during the North Carolina Jazz Festival, which celebrated its fortieth anniversary at the beginning of 2020. Coincidently, Redd is also celebrating his 40th anniversary of being on the road as one of the most versatile and in-demand drummers and ...

ARTICLE: ALBUM REVIEWS

Brian Kellock: Bidin' My Time

Read "Bidin' My Time" reviewed by Michael S. Clark

Some of the finest musicians in jazz music are among the most self-effacing people on the planet. The Scottish pianist, Brian Kellock, is one such personality. For almost three decades, Edinburgh-born Kellock has, more often than not, been the first-call pianist on stage and in the studio for jazz musicians such as Warren Vache, Scott Hamilton, ...

ARTICLE: BAILEY'S BUNDLES

Ten on Cellar Live

Read "Ten on Cellar Live" reviewed by C. Michael Bailey

That crafty Canadian Cory Weeds was onto something with the creation of his Cellar Live and now Cellar Music label. He reveals himself as a man for all seasons in being a confident saxophonist, music historian, and archivist with his new label Reel to Real (in cooperation with that maestro of the catalog, Zev Feldman. With ...

Live at Pyatt Hall

Label: Cellar Live
Released: 2018
Track listing: Tangerine; Estate; Three Little Words; Darn That Dream; You Do Something to Me; Black Orpheus; Just as Though You Were Here; Old Fashioned Love; Torna a Surriento; Nel Blu di Pinto di Blue.

ARTICLE: ALBUM REVIEWS

Paul Heller: Paul Heller Meets Roman Schwaller

Read "Paul Heller Meets Roman Schwaller" reviewed by Jack Bowers

Granted, Paul Heller meeting Roman Schwaller isn't such a big deal here in the States. It is, however, quite a big deal in Germany and western Europe as a whole where Heller and Schwaller are among the reigning monarchs of the tenor saxophone, akin to such American twosomes as Ammons / Gordon, Sims / Cohn or, ...

ARTICLE: BOOK REVIEWS

The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture

Read "The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture" reviewed by Ian Patterson

The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture Dale Chapman282 PagesISBN: 9780520279384 University of California Press 2018 What explains vibraphonist Stefon Harris giving a TED talk at a conference devoted to behavioral finance? Why would one of the world's largest investment banks sink $10 million into the New Orleans ...

ARTICLE: LIVE REVIEWS

Dolomiti Ski Jazz - XXI Edizione

Read "Dolomiti Ski Jazz - XXI Edizione" reviewed by Paolo Peviani

Dolomiti Ski Jazz 10-17.03.2018 Val di Fiemme Musiche che hanno coperto un'ampia gamma di linguaggi ed orizzonti espressivi, pubblico numeroso e plaudente ... Il bilancio musicale di questa XXI Edizione del Dolomiti Ski Jazz non può che essere molto positivo. Meno felice il bilancio meteorologico. Il maltempo ha infatti cercato di ...

ARTICLE: BAILEY'S BUNDLES

Six on Cellar Live

Read "Six on Cellar Live" reviewed by C. Michael Bailey

Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...

ARTICLE: ALBUM REVIEWS

The Scott Hamilton Trio: Live at Pyatt Hall

Read "Live at Pyatt Hall" reviewed by Jack Bowers

Even though the Swing Era vanished long ago into the mists of time, likely never to return, it continues to have its champions, especially on the tenor saxophone: masters such as Harry Allen, Ken Peplowski, Grant Stewart, Cory Weeds (who owns the Cellar Live label and produced this splendid album) and last but by no means ...


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