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MUSICIAN Born:

Lee Morgan

Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death. He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer

The Complete Recordings

Label: Phono
Released: 2020
Track listing: CD1: Nutville; The Way You Look Tonight; Star Eyes; Minor Move; Everything Happens To Me; Good Old Soul; Up Tight’s Creek; Theme For Doris; Miss Hazel; True Blue; Nothing Ever Changes My Love For You. CD2: Back To The Tracks; Street Singer; The Blues And I; For Heaven’s Sake; The Ruby And The Pearl; Talkin’ About; One For Myrtle; Dhyana; David The King; Stranger In Paradise; The Waiting Game.

Just Coolin'

Label: Blue Note Records
Released: 2020
Track listing: Hipsippy Blues; Close Your Eyes; Jimerick; Quick Trick; M&M; Just Coolin’.

ARTICLE: ALBUM REVIEWS

Tina Brooks Quintet: The Complete Recordings

Read "The Complete Recordings" reviewed by Chris May

Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...

ARTICLE: ALBUM REVIEWS

Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70

Read "The Complete Hank Mobley Blue Note Sessions 1963-70" reviewed by C. Andrew Hovan

The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format ...

ARTICLE: LIVE REVIEWS

Eric Alexander, Steve Davis, John Swana and the Philly All-Stars: Chris’ Jazz Cafe

Read "Eric Alexander, Steve Davis, John Swana and the Philly All-Stars: Chris’ Jazz Cafe" reviewed by Victor L. Schermer

Eric Alexander, Steve Davis, John Swana and the Philly All-Stars Chris' Jazz Café Philadelphia, PA February 22, 2020 This first set on the second night of a two night stand with a packed house featured three superb and well-known hard bop masters backed by a local rhythm section ...

ARTICLE: INTERVIEWS

Jonathan Goldman: Bump and Let It Slide

Read "Jonathan Goldman: Bump and Let It Slide" reviewed by Chris M. Slawecki

On Saturday February 29, Spanglish Fly will celebrate completing their tenth full year as America's leading producer and exporter of the wicked hot musical sauce known as Latin boogaloo with a special anniversary performance hosted by the legendary Brooklyn hotspot Barbes. The quintessential musical melting pot Spanglish Fly features musicians with roots in Puerto ...

ARTICLE: ALBUM REVIEWS

John Bailey: Can You Imagine?

Read "Can You Imagine?" reviewed by Jack Bowers

Letting his imagination roam free, trumpeter John Bailey envisions a world in which one of his musical touchstones, trumpeter Dizzy Gillespie, is president of the United States--one in which Gillespie's cabinet includes Duke Ellington (secretary of state), Louis Armstrong (secretary of agriculture) and Miles Davis (CIA director). The fact is, Gillespie did “run" for president in ...

ARTICLE: RADIO

The Arrival of Joe Henderson (1963 - 1967)

Read "The Arrival of Joe Henderson (1963 - 1967)" reviewed by Russell Perry

Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is ..."an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the '60s, Horace Silver's 'Song for My Father' and Lee Morgan's 'The ...

ARTICLE: ALBUM REVIEWS

Lee Morgan: The Sidewinder

Read "The Sidewinder" reviewed by Greg Simmons

Legend tells us that 1964's The Sidewinder was the album, and indeed the song, which saved Blue Note Records at a time when the label was struggling financially. Dashed off to fill some tape, at the end of the recording session, it peaked at number 25 on the Billboard charts—almost unheard of for a hard-bop record—stabilizing ...


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