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Jon Crowley

Forward-thinking trumpeter and composer, Jon Crowley was born in Malvern PA, a suburb of Philadelphia, in 1982. He began studying the trumpet at age six with Elin Frazier, a student of Carmine Caruso. While in high school he developed an interest in Jazz and began attending local jam sessions and sitting in with various musicians around Philadelphia. Jon spent the next four years attending Muhlenberg College, studying Jazz with Charles Fambrough and John Swana. After Graduating with his B.A. in Music, Jon went straight to New York City, where he attended NYU, graduating in the Spring of '07; receiving his Masters in Jazz Performance and Composition

I Walk Amongst Humans

Label: Destiny Records
Released: 2016
Track listing: Still Here; Other Lives; I Disappear; Dark Center; A Little Poison; In Dreams; On a Park Bench.

ARTICLE: ALBUM REVIEWS

Jon Crowley: I Walk Amongst Humans

Read "I Walk Amongst Humans" reviewed by Nicholas F. Mondello

There are recordings that seem to be made for the practice of looking out a window on a rainy day. “I Walk Amongst the Humans" by trumpeter Jon Crowley accurately fits that bill. It is a recording which exhibits a poetic nature through thought-provoking originals that are a platform for fine group interplay and superb improvisations. ...

ARTICLE: ALBUM REVIEWS

Michael Eaton: Individuation

Read "Individuation" reviewed by Ben Scholz

On his debut album as a leader, saxophonist Michael Eaton presents a collection of original material featuring a rotating group of jny: New York City based musicians including Jon Crowley on Trumpet, David Liebman on Saxophone, Brad Whiteley on piano, bassists Daniel Ori and Scott Colberg, and Shareef Taher on drums. Exhibiting his artistic ...

ARTICLE: ALBUM REVIEWS

Michael Eaton: Individuation

Read "Individuation" reviewed by Dan Bilawsky

Individuation, as a concept, can be seen as a parallel to the process of making music. In speaking one's own voice through an instrument and/or through composition, individuals manage to direct their imagination and unconscious into something tangible. Saxophonist Michael Eaton knows a thing or two about this, as demonstrated on his aptly-titled debut.

The Rehumanization EP

Label: Lonely Crow Records
Released: 2014
Track listing: Without You; I'll Be Fine Without You; And We Talked All Night, It's Hard to Try.

ARTICLE: ALBUM REVIEWS

Jon Crowley: The Rehumanization EP

Read "The Rehumanization EP" reviewed by Nicholas F. Mondello

The “EP" tag sitting on the title of trumpeter Jon Crowley's The Rehumanization EP is an obvious abbreviation for “Extended Play." Given an extended listening, it might be more apt to be interpreted as “exceptionally pleasing" or “exceptional performance." Both descriptions precisely fit this, Crowley's third release as leader. And, it is just as terrific as ...

ARTICLE: JOURNEY INTO JAZZ

Stretch: Interactive Holograms

Read "Stretch: Interactive Holograms" reviewed by John Beaty

It feels nice to finally be able to share what I've been up to since I last wrote for All About Jazz more than two years ago. In those articles I chronicled my journey from first learning Jazz, attending Music School and finally life as a touring Jazz musician. Through this process I came to understand ...

ARTICLE: JOURNEY INTO JAZZ

No Future Without New Fans

Read "No Future Without New Fans" reviewed by John Beaty

The Stretch Movement's main goal is to build a new young audience. This seems like it should be an obvious statement, but jazz has ignored the fact that new young listeners are not flocking to the music. The vast majority of listeners that end up at jazz shows are students, who are studying the music, or ...

ARTICLE: JOURNEY INTO JAZZ

The State of Jazz Education

Read "The State of Jazz Education" reviewed by John Beaty

For my entire childhood, up through the moment I graduated high school, I was told of the importance of the SAT Reasoning Tests and attending college. I believe this was a message my entire generation heard from our parents, teachers, and society at large. While I was in eighth grade, I was introduced to jazz and ...


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