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Gabe Terracciano

A native of Portland, Maine, Gabriel Terracciano has been playing the violin since the age of three. After eight years of strictly classical training, he discovered the jazz violin playing of Joe Venuti, Stuff Smith, and, later on, Zbigniew Seifert, who all changed his musical life (and life in general!) forever. Since then, Gabe has developed into a versatile multi-instrumentalist and a musician who has been recognized for playing the violin “in a way that’s unlike anyone else” (Sam Pfeifle, Portland Phoenix), while “proving himself as an improviser, never overplaying or imitating his predecessors on his instrument” (iTunes official album review for Crunch Time with Ron McClure). As an improvising string player, Gabe has delved into the fields of modern jazz, Gypsy and hot jazz, Middle Eastern, electronic, pop, bluegrass, and Latin styles, just to name a few! He has played for many years throughout the United States as both a leader and sideman, including multiple performances at Dizzy’s Club Coca-Cola (NYC), part of Jazz at Lincoln Center

In Flight

Label: Red Piano Records
Released: 2020
Track listing: In Flight; Way Off; Pundit; When I'm in Your Arms Once MOre; Case in Point; Alfie's Lullaby.

ARTICLE: RADIO

Miles Davis & Erroll Garner

Read "Miles Davis & Erroll Garner" reviewed by Joe Dimino

This week we open with an illuminating conversation with legendary percussionist Munyungo Jackson in which we also touched upon his mentor Miles Davis. We then feature music by Kansas City saxophonist Todd Wilkinson and new releases by Michael Wolff and Kat Vokes, whom we interviewed a few days ago. Thanks for listening! Playlist Munyungo ...

ARTICLE: MULTIPLE REVIEWS

The Adventurous Spirit of Red Piano Records

Read "The Adventurous Spirit of Red Piano Records" reviewed by Geno Thackara

There actually isn't a piano to be heard anywhere in this batch, but the season's crop illustrates the ethic of Red Piano Records in some interesting ways nonetheless. The small Brooklyn label specializes in music offbeat enough to require some adventurous ears, comfortably rooted under the jazz umbrella while usually stepping at least one foot somewhere ...


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