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Susan Pascal

Vibraphonist Susan Pascal has played four tours of Singapore and concerts across the United States. Pascal is heard on film soundtracks including “The Blind Side" and “Office Space," and on the Macklemore & Ryan Lewis release, "Growing Up". Pascal’s eclectic musical projects include her SOUL SAUCE QUINTET, a tribute to Latin jazz icon Cal Tjader; arrangements of music by Chick Corea called STRAIGHT UP AND DOWN; and the BRAZIL PROJECT band featuring choros and jazz from Brazil. Her Quintet with saxophonist Mark Taylor features the landmark music of Keith Jarrett in THE JOURNEY HOME: MUSIC OF KEITH JARRETT

ARTICLE: INTERVIEWS

Brittany Anjou: Visionary Soul

Read "Brittany Anjou: Visionary Soul" reviewed by Paul Rauch

I began a series of interviews with jny: Seattle-based musicians in the summer of 2016, with half being dedicated to female instrumentalists. After my last interview with bassist Chuck Deardorf, I was given a new piano trio release on the Seattle based Origin Records label by New York based, Seattle born and bred musician Brittany Anjou. ...

ARTICLE: PROFILES

Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution

Read "Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution" reviewed by Paul Rauch

It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...

NEWS: FESTIVAL

2018 Ballard Jazz Festival in Seattle

2018 Ballard Jazz Festival in Seattle

The Ballard Jazz Festival returns with its 16th edition, May 16-19, in Seattle's historic Ballard neighborhood. Clarence Penn & Penn Station, a New York ensemble that includes pianist Geoffrey Keezer, saxophonist Chad Lefkowitz-Brown, and bassist Yasushi Nakamura, will headline the festival's Mainstage Concert. Swedish trumpeter Oskar Stenmark will open the concert, which in turn celebrates the ...


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