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ARTICLE: LIVE REVIEWS

Walthamstow Jazz Festival 2019

Read "Walthamstow Jazz Festival 2019" reviewed by Luke Seabright

Walthamstow Jazz Festival
London
February 16, 2019

If you're not from jny: London the name Walthamstow most likely means nothing to you, unless perhaps you admire the work of designer and craftsman William Morris. Even to most Londoners it is probably little more than the fabled end of the Victoria ...

ARTICLE: ALBUM REVIEWS

Zara McFarlane: East Of The River Nile

Read "East Of The River Nile" reviewed by Chris May

As a teaser for her upcoming album, the divine Zara McFarlane has released a 4-track EP revisiting Jamaican dub and rockers wizard Augustus Pablo's canonical 1977 single “East Of The River Nile." McFarlane's disc, on which her wordless vocals stay close to Pablo's original melodica topline, showcases her signature blend of jazz and Caribbean music to ...

ARTICLE: ALBUM REVIEWS

SEED Ensemble: Driftglass

Read "Driftglass" reviewed by Chris May

After decades in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a rebooted style which reflects both the Caribbean and African musical heritages of the majority of its vanguard players and also locally created musics such as grime and garage. Jazz was created ...

ARTICLE: ALBUM REVIEWS

Binker Golding / Elliot Galvin: Ex Nihilo

Read "Ex Nihilo" reviewed by Chris May

As one half of Binker and Moses with drummer Moses Boyd, saxophonist Binker Golding has already made three keynote contributions to the London scene with the ferocious Dem Ones (Gearbox, 2015), Journey To The Mountain Of Forever (Gearbox, 2017) and Alive In The East? (Gearbox, 2018).

It is impossible to overstate the significance of ...

ARTICLE: ALBUM REVIEWS

Sarah Tandy: Infection In The Sentence

Read "Infection In The Sentence" reviewed by Chris May



Sarah Tandy made a mark on the alternative London jazz scene three years ago as the pianist on alto saxophonist Camilla George's luminous debut, Isang (Ubuntu). More recently, she has played piano and keyboards on two other headline albums: George's The People Could Fly (Ubuntu, 2018), and alto saxophonist Cassie Kinoshi's SEED Ensemble's debut, ...

ARTICLE: YEAR IN REVIEW

Chris May's Best Releases of 2018

Read "Chris May's Best Releases of 2018" reviewed by Chris May

After decades in the shadow of its American parent, 2018 is the year in which British jazz is finally coming of age. A growing community of London-based musicians is emerging with a unique aesthetic which reflects both the Caribbean and African musical heritages of the majority of its vanguard players and also such locally created styles ...

ARTICLE: ALBUM REVIEWS

Theon Cross: Fyah

Read "Fyah" reviewed by Chris May

Over the last two years years the disruptive slice of the London jazz scene has produced an abundance of four-going-on-five-star albums, but even among such company Fyah stands out. Performed by a tuba, tenor saxophone and drums trio, augmented on two tracks, it is a work of majestic proportions, the embodiment of the neoteric London sound. ...

ARTICLE: ALBUM REVIEWS

Dakhla Brass: Murmur

Read "Murmur" reviewed by Chris May

It never really went away, but during the late 2010s there has been a measurable upsurge of interest in brassy, post-marching-band jazz in Britain. A high-carat jewel on the London scene over the last few years has been tuba player Theon Cross and his band Fyah. Cross also brings his dextrous bass line magic to several ...

ARTICLE: LIVE REVIEWS

Binker & Moses At London's Jazz Cafe

Read "Binker & Moses At London's Jazz Cafe" reviewed by Chris May

Binker & Moses
Jazz Cafe
London
September 12, 2018

Binker & Moses began life around five years ago, when saxophonist Binker Golding and drummer Moses Boyd started playing ferocious, free-association duets during pre-performance sound checks as members of Zara McFarlane's band. Both musicians still tour and record with ...

ARTICLE: ALBUM REVIEWS

Binker and Moses: Alive In The East?

Read "Alive In The East?" reviewed by Chris May

Something wonderful is happening in London in summer 2018. A disruptive musical movement, led by an inter-connected community of young musicians, is taking jazz in vibrant new directions and finding enthusiastic new audiences. Hybridisation is the name of game, which reflects London's cultural diversity by absorbing locally created styles such as grime and broken beat within ...