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Esbjorn Svensson Trio: e.s.t. live in london

Read "e.s.t. live in london" reviewed by Ian Patterson

Ten years on from the tragic death of Esbjörn Svensson, it's easy to forget just how ground-breaking e.s.t. was. Its seamless embrace of jazz, pop, rock and electronics aesthetics brought CD sales and a following more typical of successful pop acts. It was also the first European jazz band on the cover of Downbeat. Easy to ...

Esbjorn Svensson Trio: e.s.t. live in london

Read "e.s.t. live in london" reviewed by Geno Thackara

Let's get the obligatory background recap out of the way first. The Esbjorn Svensson Trio was a one-of-a-kind outfit, their DNA encompassing an amorphous pop-classical-jazz-tronica mix that made all those things co-exist so naturally it was almost unnatural. For all their bold experimentalism in disregarding genres, sculpting song structures and often integrating processed sounds into the ...

Esbjorn Svensson Trio: e.s.t. live in london

Read "e.s.t. live in london" reviewed by Karl Ackermann

In the ten years since the Esbjörn Svensson Trio came to a tragic end, a handful of piano trios have shown a trace of promise in becoming successors to the eclectic pianist's group. Capturing the raw energy that coalesced jazz, classical, rock, and technique in their unique way has been elusive. Since Svensson's accidental death in ...