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Musician

Misha Mengelberg

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Misha Mengelberg was born in Kiev in 1935 - the son of a Dutch composer/conductor/pianist and a German harpist - but is a lifelong resident of Amsterdam, where he teaches counterpoint at the Sweelinck Conservatory. He wrote his first piece for piano at age four and has been composing pretty much ever since, in the jazz and classical fields. Crucial early influences include jazz pianists Thelonious Monk and Herbie Nichols, the composer John Cage, whom he heard lecture at Darmstadt in 1958, and the absurd-art movement Fluxus, with which he was involved in the 1960s. Mengelberg graduated from the Royal Conservatory in the Hague in 1964

Article: Book Review

Jazz Europeo - Non di solo passaporto

Read "Jazz Europeo - Non di solo passaporto" reviewed by Giuseppe Segala


Jazz Europeo--Non di solo passaporto Livio Minafra, Ugo Sbisà 212 Pagine ISBN: # 979-1281664005 I Quaderni di Digressione 2023 D'accordo, il jazz non ha bisogno di passaporti. Il passaporto è la musica stessa. Piuttosto, ha bisogno di passepartout, di una chiave universale che possa aprire le porte massicce ...

Article: Album Review

Roberto Ottaviano: Eternal Love People

Read "Eternal Love People" reviewed by Giuseppe Segala


Fin dagli anni Ottanta, Roberto Ottaviano ha coltivato relazioni strette e feconde con la scena internazionale, particolarmente quella creativa europea. La stessa che proprio nel periodo precedente aveva sviluppato spinte notevoli, al punto da essere considerata trainante e prevalente pure dagli osservatori d'oltreoceano. Il musicista ha mantenuto e ravvivato questo rapporto, in particolare attraverso la collaborazione ...

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Article: Liner Notes

Yuri Honing: North Sea Jazz Legendary Concerts

Read "Yuri Honing: North Sea Jazz Legendary Concerts" reviewed by Ian Patterson


It's fitting that saxophonist, composer and quiet visionary Yuri Honing should be acknowledged as one of the pivotal voices in the history of the Netherland's world-renowned North Sea Jazz festival, described in 1990 by Jazz Times as “the best jazz festival in the world." Honing's first appearance at the NSJF's was in 1995, where he performed ...

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Article: Album Review

Peter Brotzmann / Sabu Toyozumi: Triangle – Live at OHM, 1987

Read "Triangle – Live at OHM, 1987" reviewed by Mark Corroto


Triangle--Live At OHM, 1987 is a recording of Peter Brotzmann in Japan. Here he is performing with master free jazz drummer Sabu Toyozumi. This is not the musicians first meeting. The pair have released a couple nearly impossible to find discs such as Live In Japan 1982 (Improvised Company, 1999) and Live In Okayama 1987 (Improvised ...

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Article: Album Review

Frank Gratkowski, Simon Nabatov: Tender Mercies

Read "Tender Mercies" reviewed by John Sharpe


This collection of seven duets from pianist Simon Nabatov and reedman Frank Gratkowski stands as one of those times when the late Misha Mengelberg's term “instant composition" for a series of seat-of-the-pants encounters makes absolute sense. Perhaps that should not be a surprise, considering the protagonists histories and shared base in the German city of Cologne. ...

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Article: Radio & Podcasts

Big M's Grab Bag

Read "Big M's Grab Bag" reviewed by Patrick Burnette


The theme this episode is--got ya!--there isn't a theme. What we do have are two mildly historical piano-led recordings by musicians who couldn't be more different if they tried, and two new releases by musicians also pulling in different directions. Get a large group together and go for eclecticism? Or just multi-track yourself and add a ...

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Article: Album Review

Ada Rave / Aaron Lumley / Onno Govaert: Bioluminus

Read "Bioluminus" reviewed by Mark Corroto


We can no longer refer to the music and creative Amsterdam scene with the title coined by author Kevin Whitehead as the New Dutch Swing. His 1998 book of the same name described the origins of the free jazz movement in The Netherlands and its now legendary masters such as Misha Mengelberg, Willem Breuker, Han Bennink, ...

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Article: Album Review

Vestard Shimkus / Endless Roar: Acclivity

Read "Acclivity" reviewed by Vitalijus Gailius


Endless Roar is one of the most vivid bands in the recent Latvian improvised music scene. Formed in 2014 the trio, saxophonist Arvydas Kazlauskas, double bassist Stanislav Yudin and drummer Jachin Pousson, ventured through various genres (e.g. ambient, electroacoustic, rock etc.) before diving into free improvisation. In 2021 Endless Roar met up with internationally acclaimed classical ...

Article: Album Review

Michaël Attias, Simon Nabatov: Brooklyn Mischiefs

Read "Brooklyn Mischiefs" reviewed by Neri Pollastri


Registrato all'iBeam di Brooklyn il 6 luglio del 2014 e riemerso dagli archivi nel corso della pandemia, questo album documenta una fortunata serata di improvvisazione tra il pianista di origini moscovite Simon Nabatov e il sassofonista contralto israeliano Michaël Attias, un “primo incontro" tra due artisti usi a muoversi su territori accidentati e inesplorati.


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