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Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême

Read "Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême" reviewed by Karl Ackermann

The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...

ARTICLE: ALBUM REVIEWS

Àine O'Dwyer: Gegenschein

Read "Gegenschein" reviewed by Karl Ackermann

By anyone's standards, Àine O'Dwyer is a hyper-accomplished musician and innovator. As a pre-teen in her native Ireland she had already taken on the piano, harp, fiddle and flute. Eventually focusing her attention on the harp and piano, she developed an unquenchable inquisitiveness about the pipe organ--not the most accessible of instruments. In acts of quiet ...

ARTICLE: ALBUM REVIEWS

Àine O'Dwyer: Gallarais

Read "Gallarais" reviewed by Karl Ackermann

Places of worship are hardly new venues for jazz or other forms of non-sectarian music. As far back as 1927, Fats Waller had recorded two pipe organ solos in a church in Camden, New Jersey. Stan Getz and Charlie Byrd recorded Jazz Samba (Barclay-Verve, 1962) at the Washington, D.C. All Souls Church on the corner of ...