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Content by tag "Connie Kay"
The Modern Jazz Quartet and the Third Stream (1956 - 1961)
As the Modern Jazz Quartet, members of which were once Dizzy Gillespie's rhythm section in the 1940s, moved into the 1960s, they continued to swing in their own quiet way, even as their music director, pianist John Lewis, explored the third stream, a synthesis of jazz and classical music. Having been founded in 1952, the MJQ ...
read moreMonty Alexander: Still Rolling
If there's one defining quality to Monty Alexander's music, it's joy. An unmistakable undercurrent of happiness has been constant across several decades, dozens of recordings and countless performances all over the world. He could be honoring classic jazz balladeers, exploring the danceable “riddims" of his native Jamaica or anything in between, and you can always hear ...
read moreSonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
read moreRon Carter: Detroit Jazz Festival 2016 Artist-In-Residence
As the artist-in-residence for the 37th Annual Detroit Jazz Festival, Ron Carter maintained an active role in both the artistic and educational functions that accompanied this distinguished position, made even more extraordinary by the fact that it was all happening in his hometown. Having teamed with Pat Metheny last year for a stellar duo ...
Glenn Zottola: A Jazz Life - On the Road and In Demand
Part 1 | Part 2 | Part 3
World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...
A Remembrance of Percy Heath
This article was originally published at All About Jazz in May 2005.
Percy Heath could play the hell out of that big contrabass.
Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...
We Three Kings: The Heath Brothers
This article was originally published at All About Jazz in 2002.
Bundle these three brothers' experiences and associations through their individual and collective careers, and anyone with even the slightest notion of jazz appreciation will indubitably realize the significance of the Heath triumvirate--bassist Percy, saxophonist Jimmy, and drummer Albert “Tootie."
What an ...
Herbie Mann: An Amalgamation of Everything
[Flauist Herbie Mann was often ahead of the trend with his wide explorations into sounds from everywhere. When I asked him in this 1978 interview where music in general was heading, he talked about a broad mix--"an amalgamation of everything"--which might be a good way to describe Mann's overall career, except that it doesn't account for ...
read moreModern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
The Modern Jazz Quartet
The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64
Mosaic Records
2011
They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
The Modern Jazz Quartet
The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64
Mosaic Records
2011
Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...
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A Lousy Day In Harlem by Ed Palermo
