All About Jazz

Home » Tag Center » Tag: Nana Vasconcelos

Content by tag "Nana Vasconcelos"

ARTICLE: UNDER THE RADAR

State and Mainstream: The Jazz Ambassadors and the U.S. State Department

Read "State and Mainstream: The Jazz Ambassadors and the U.S. State Department" reviewed by Karl Ackermann

The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...

ARTICLE: INTERVIEWS

Yacine Boularès: Coltrane by way of Descartes

Read "Yacine Boularès: Coltrane by way of Descartes" reviewed by Ludovico Granvassu

Saxophonist Yacine Boularès took the road less travelled to discover and develop his passion for jazz. After graduating in philosophy from the prestigious Sorbonne University in Paris, he felt the urge to put into practice the notions of aesthetics he had researched for his dissertation. Following his studies at Paris' Conservatoire National Supérieur de Musique and ...

ARTICLE: LIVE REVIEWS

French Connections - The Jazzdor Experience

Read "French Connections - The Jazzdor Experience" reviewed by Henning Bolte

Jazzdor is a French festival with two annual editions. The main part is held in the Strasbourg area (France) in November and the other one in Berlin (Germany) in June. Both editions present a considerable number of bilateral and multilateral collaborations; an essential part of the festival's philosophy and policy.

The Strasbourg festival is ...

ARTICLE: INTERVIEWS

Basilio Sulis: Ai Confini tra Sardegna e Jazz

Read "Basilio Sulis: Ai Confini tra Sardegna e Jazz" reviewed by Paolo Peviani

In tempi come quelli odierni, fatti di festival con cartelloni omologati e di proposte musicali più attente agli aspetti commerciali che ai contenuti artistici, le manifestazioni che nel corso degli anni sono riuscite a mantenere una forte integrità e coerenza rappresentano una rara e dunque pregevole eccezione.

Tra queste, possiamo sicuramente annoverare Ai ...

Dominic Miller: Silent Light

Read "Silent Light" reviewed by Mark Sullivan

Classical guitarist Dominic Miller makes his ECM debut with a largely solo program. It's a gentle, lyrical affair, reflecting his experience living in Argentina, the United States, England, and France, as well as decades of international touring as a working musician. The Brazilian influence is especially strong in pieces like opener “What You Didn't Say" and ...

ARTICLE: LIVE REVIEWS

Balé Folclórico de Bahia at Zellerbach Hall

Read "Balé Folclórico de Bahia at Zellerbach Hall" reviewed by Harry S. Pariser

Balé Folclórico de Bahia
Zellerbach Hall
Cal Performances
Berkeley, California
March 5, 2017

“Dance is the most universal art that we have. During the primitive era we danced for the sun, wind and rain. Dance was the first expression of the human race and it is the most universal language. We are able to ...

ARTICLE: REDISCOVERY

Five Classic ECM Titles in High Res

Read "Five Classic ECM Titles in High Res" reviewed by John Kelman

If ever there were a label that deserved to have its catalog released in a high resolution format, it's Munich's ECM Records. Since its inception in 1969, the multiple award-winning record label headed by producer Manfred Eicher has truly redefined how, initially, jazz and improvised music recordings could--and, at least for some, perhaps should--sound. Attention to ...

ARTICLE: GENERAL ARTICLES

Things We Like: Ottobre 2016

Read "Things We Like: Ottobre 2016" reviewed by AAJ Staff

Finito il mese di ottobre, riprendiamo la vecchia rubrica “Things We Like," dove, un po' per passione e un po' per gioco, descriviamo le cose (musicali e non) che ci rimarranno impresse del mese appena trascorso.

Alberto Bazzurro

Ottobre, mese pre-referendario per eccellenza (non quel referendum...), si porta generalmente appresso una caterva ...

Ferenc Snetberger: In Concert

Read "In Concert" reviewed by Mark Sullivan

Hungarian classical guitarist Ferenc Snétberger makes his ECM debut with a live solo guitar recording, surely the most demanding and revealing format for any guitarist. His music is the product of diverse stylistic influences: starting with jazz, but then a strong classical music influence, followed by exposure to Brazilian, South American, and flamenco guitar music. Snétberger ...

ARTICLE: MULTIPLE REVIEWS

John Abercrombie on ECM - Part 1: Through the '80s

Read "John Abercrombie on ECM - Part 1: Through the '80s" reviewed by Budd Kopman

Now that the The First Quartet set of recordings by guitarist/composer John Abercrombie from 1979-1981 has been released, it is as good a time as any to explore Abercrombie's career on ECM as a leader/co-leader, plus some his work as a sideman.
There is a famous epithet from Bill Evans: “Jazz is not a ...