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About Richard Cole
Instrument: Saxophone, tenor
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Richard Cole
Born:
Fans, critics and musicians place Richard Cole in the first rank of his generation's players. A nationally acclaimed talent, Richard is among the most in-demand musicians in the burgeoning jazz scene in the Pacific Northwest. Beside work with such jazz greats as Randy Brecker, Dave Holland, Adam Nussbaum, Julian Priester and John Fedchock, he has toured regularly with fusion star Dan Siegel, performed with r&b legends Gladys Knight, The Temptations and The Four Tops while also composing and performing his own music. Richard's music is clearly jazz, following forward from the intense traditions of the jazz masters, yet it is enriched by the many lessons learned from his wide range of musical experiences. Richard cites numerous influences including the seminal jazz performances of John Coltrane and Joe Henderson
20 Seattle Jazz Musicians You Should Know: Marc Seales
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Bill Anschell: Curiosity and Invention
by Paul Rauch
Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work ...
Bill Anschell: Rumbler
by Paul Rauch
Seattle's eclectic jazz scene has produced a long line of significant voices that have impacted the music on a national and international level. Bill Anschell, as a pianist and composer certainly falls into that category that has produced the likes of Ray Charles, Quincy Jones, Ernestine Anderson, and presently, trumpeter Thomas Marriott. His new Origin Records ...
John Coltrane Birthday Celebration: Harnessing The Coltrane Effect
by Paul Rauch
Richard Cole Group Tula's Jazz Club Seattle WA September 23, 2016 The calendar read September 23, 2016, the 90th anniversary of the birth of John Coltrane, and as in many cities in America, and around the world, the music of this master innovator is being celebrated in performance, ...
Jazz Quanta July: Larry Goldings, Sean Jones and Todd Bishop
by C. Michael Bailey
Larry Goldings, Peter Bernstein, Bill Stewart Ramshackle Serenade Pirouet Records 2014 The organ trio in jazz has always been one of the more durable formats. Wild Bill Davis, John Patton, Shirley Scott, Richard “Groove" Holmes, Jimmy Smith and Larry Young have all led important trios each giving the ...
Jonathan Rowden: Group Identity
by Paul Naser
The jny: Los Angeles jazz scene has no shortage of prodigious talent; on any given night throughout the sprawling landscape that makes up the greater Los Angeles area there is always some exciting happening or unique event, and one is often hard-up to make a decision about where to spend their evening. There are musicians who ...
Jaiman Crunk: Encounters
by Ian Patterson
Seattle-based guitarist Jaiman Crunk hasn't taken half measures on Encounters, his debut as leader. In addition to marshalling over 20 top jazz musicians--cherry picked for specific roles--Crunk employs fourteen brass, woodwind and string musicians from the Seattle Symphony Orchestra on half the compositions. These four numbers in particular underline Crunk's notable compositional and arranging skills and ...
Jon Hamar: Hymn
by C. Michael Bailey
Origin Arts bassist Jon Hamar effects an intimate trio with alto saxophonist Todd DelGiudice and pianist Geoffrey Keezer on Hymn. Heard most recently, prior to this date, on Richard Cole's Inner Mission (Origin Records, 2007), Hamar's Hymn is heavy on introspective yet muscular originals, as Hamar also chooses some sturdy standards upon which to improvise.
Todd Bishop Group: Little Played Little Bird
by C. Michael Bailey
In the twilight days of the compact disc as a sound storage device, the most compelling reason for keeping what still seems a new" audio media (compared to wax cylinders and 78s) in the face of purely electronic media is concept" or thematic" releases. One such example was drummer Todd Bishop's Pop Art 4 album, 69 ...