Content by tag "Blue Note"

ARTICLE: IN PICTURES
ARTICLE: YEAR IN REVIEW

John Kelman's Best Releases of 2018

Read "John Kelman's Best Releases of 2018" reviewed by John Kelman

Once again, the chronic health problem that has reduced my writing pace to a crawl continues without any respite. My best of the year lists have traditionally been predicated upon having reviewed the releases chosen, but with only a relative handful of reviews to choose from this year (and with those choices, more than ever now, ...

MUSICIAN Born:

Larry Brown

Pianist Larry Brown leads one of the most accomplished straight-ahead jazz groups in the Mid-Atlantic area, having performed at An Die Musik, Blues Alley, the Meyerhoff, the Kennedy Center, the Mid-Atlantic Jazz Festival, East Coast Jazz Festival, Baltimore-Washington Jazz Fest, Alexandria Jazz Festival, Martha’s Vineyard Jazz Festival, Twins Jazz, Bohemian Caverns, the King Of France Tavern, Montpelier Arts Center, Chris’ Café, the New Haven Lounge, Caton Castle, Strathmore Mansion, and the Black Rock Center for the Arts. JazzReview.com describes The Larry Brown Quintet as "Straight-ahead jazz at its best, with a forthright approach to well chosen material, supported by first rate soloists and a rock-solid rhythm section." The group’s four CDs receive airplay all over the country, as well as in Brazil, Canada, Russia, and Japan

MUSICIAN Born:

Charlie Apicella

In 2014 Charlie Apicella was invited by Pat Martino to study improvisation, composition, and Pat’s unique method for learning the mechanics of the guitar. He has performed concerts and recorded with jazz legends Dave Holland, Sonny Fortune, and John Blake, Jr. Charlie began his music training in 1999 at the University of Massachusetts studying composition and improvisation with Yusef Lateef and music history with Archie Shepp. In 2005 he began studying under Dave Stryker who produced the Iron City records Sparks (2009) and The Business (2011).

ARTICLE: MULTIPLE REVIEWS

3x3: Piano Trios, vol. III

Read "3x3: Piano Trios, vol. III" reviewed by Geno Thackara

More evidence that three is truly a magic number, as explorations in this format remain as expansive and inventive as ever...

Fred Hersch Trio
'97 @ the Village Vanguard
Palmetto Records
2018

Fine artists can aspire to appear in the Louvre someday. Comics might hope for a Las Vegas ...

ARTICLE: IN PICTURES
ARTICLE: ALBUM REVIEWS

Vince Tampio: The Nook

Read "The Nook" reviewed by Geno Thackara

There's always something reassuring about the pleasingly familiar, whether it's a favorite shirt, a nice helping of comfort food or the coziness of a frequent neighborhood hangout. jny: Philadelphia's Tattooed Mom Bar fits the bill for Vince Tampio and a few good friends. Besides evoking that welcoming atmosphere with its title and cover, The Nook's classic-sounding ...

ARTICLE: ALBUM REVIEWS

Michel Legrand: Legrand Jazz

Read "Legrand Jazz" reviewed by Patrick Burnette

Michel LeGrand is best known for his long and fruitful career in movie soundtracks, but as a young man in 1958 he was featured in an arranger's showcase with a collection of jazz masters, including Ben Webster, John Coltrane, Bill Evans, and Miles Davis.

Columbia Records in 1958 had an unparalleled roster to offer ...

ARTICLE: ALBUM REVIEWS

E. J. Decker: Bluer Than Velvet: The Prysock Project

Read "Bluer Than Velvet: The Prysock Project" reviewed by Geno Thackara

E.J. Decker probably could write a book if they asked him--his shaping influences and history of musical collaborations (not to mention social activism) would make it a fascinating one indeed--but it would be so much nicer to hear him sing it. A voice smooth as, well, velvet (pardon the obvious simile) lets him put a rich ...

ARTICLE: ALBUM REVIEWS

Terence Blanchard: Live

Read "Live" reviewed by Mike Jurkovic

As trumpeter Terence Blanchard is wont to do, he blends spoken word, rock, funk, the electrified, the experimental, the second line, the bop, blues, and hip hop on the swaggering, often staggering, Live, his latest Blue Note release.

Bidding us to ..."find our voices..." Marcus Miller's “Hannibal" evolves from a floating piano intro (courtesy ...