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Content by tag "Freddie Hubbard"

ARTICLE: MULTIPLE REVIEWS

3x3: Piano Trios, vol. III

Read "3x3: Piano Trios, vol. III" reviewed by Geno Thackara

More evidence that three is truly a magic number, as explorations in this format remain as expansive and inventive as ever...

Fred Hersch Trio
'97 @ the Village Vanguard
Palmetto Records
2018

Fine artists can aspire to appear in the Louvre someday. Comics might hope for a Las Vegas ...

ARTICLE: SOCAL JAZZ

Erik Palmberg: Swiss Time Was Running Out

Read "Erik Palmberg: Swiss Time Was Running Out" reviewed by Jim Worsley

2018 has been a year of many outstanding and surprising new records. One worth special notice is First Lines by Swedish trumpeter Erik Palmberg and his quartet. Featuring mostly original compositions, the music is fresh and crisp yet steeped in jazz tradition. The 37-year-old instrumentalist spoke about his new album and musical background with All About ...

ARTICLE: INTERVIEWS

Jay Thomas: We Always Knew

Read "Jay Thomas: We Always Knew" reviewed by Paul Rauch

Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...

ARTICLE: CATCHING UP WITH

Gary Urwin: Inside the Mind of an Arranger

Read "Gary Urwin: Inside the Mind of an Arranger" reviewed by Rob Wood

The arranger of music scores is as important as a crankshaft in an engine. Yet many are destined to live in the shadows. Ralph Carmichael was subsumed by the luster of Stan Kenton. Arranger Paul Riser, who wrote the opening bars to “Dancing in the Street," is a virtual unknown.

And then there is ...

ARTICLE: CD/LP/TRACK REVIEW

Javon Jackson: For You

Read "For You" reviewed by Patrick Burnette

Tenor saxophonist Javon Jackson has roots stretching back to the hard-bop forebearers, having served stints with Art Blakey, Freddie Hubbard, Cedar Walton, and other luminaries of the lineage. For You is his twentieth release as a leader, and it finds him paying homage to Hubbard ("My Man Hubbard"), McCoy Tyner ("88 Strong"), Pharoah Sanders ("Mr. Sanders"--though ...

ARTICLE: CD/LP/TRACK REVIEW

Lonnie McFadden: Live at Green Lady Lounge

Read "Live at Green Lady Lounge" reviewed by Chris M. Slawecki

In his own words, tap dancer, composer, trumpeter, vocalist, and bandleader Lonnie McFadden is, “an unapologetic Kansas City jazz guy." He may be a classic “song and dance man" type of entertainer, but Live at Green Lady Lounge demonstrates that he is also more than that.

Lonnie McFadden was born and raised in Kansas ...

ARTICLE: FROM THE INSIDE OUT

Heartbeats Full of Soul

Read "Heartbeats Full of Soul" reviewed by Chris M. Slawecki

Nicola Conte & Spiritual Galaxy
Let Your Light Shine On
MPS
2018

One of the best parts of Let Your Light Shine On is how it plucks out musical threads from throughout the galaxy (more on that later) and knits them together into truly groovy, soulful cloth. But ...

ARTICLE: MULTIPLE REVIEWS

CTI on BGO

Read "CTI on BGO" reviewed by Jakob Baekgaard

"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...

ARTICLE: SOCAL JAZZ

Marcus Miller: America's AmBASSadoor

Read "Marcus Miller: America's AmBASSadoor" reviewed by Jim Worsley

Marcus Miller is most often described as a jazz, funk, soul, fusion, and R&B bassist. As much as that is accurate, it is a description that falls well short of the mark. Miller is a high-end musical sponge who manages to incorporate today's cultures and rhythms into his compositions, layered within the framework of sound he ...

ARTICLE: CD/LP/TRACK REVIEW

Connie Han: Crime Zone

Read "Crime Zone" reviewed by Chris Mosey

Connie Han, dressed in skin-tight leather, tosses back her long and lustrous black hair, then walks like a prowling cat to the piano. She sits down, doesn't smile, looks darkly at the keyboard. She pauses then starts playing a percussive riff. Lights! The band emerges from the shadows and falls in behind her.

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