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ARTICLE: INTERVIEWS

Nat Hentoff: The Never-Ending Ball

Read "Nat Hentoff: The Never-Ending Ball" reviewed by Ian Patterson

This interview was first published at All About Jazz on June 23, 2010.

Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...

ARTICLE: CD/LP/TRACK REVIEW

Jazz at Lincoln Center Orchestra: Big Band Holidays

Read "Big Band Holidays" reviewed by Jack Bowers

The holiday season has its ups and downs on Big Band Holidays, recorded live over two Decembers (2013-14) by the Jazz at Lincoln Center Orchestra, which is without a doubt one of the finest big bands money can buy. Even though the most recent number on the album ("Have Yourself a Merry Little Christmas") was recorded ...

Debby Moore: My Kind Of Blues

Read "My Kind Of Blues" reviewed by James Nadal

For the record hounds (you know who you are) out there that seek and scavenge the garage sales and flea markets for old albums, there is such a thing as redemption. After scoring My Kind Of Blues by singer Debby Moore at a flea market for one dollar, further research revealed a mysterious back story with ...

ARTICLE: BOOK EXCERPTS

On Highway 61: Music, Race, and the Evolution of Cultural Freedom

Read "On Highway 61: Music, Race, and the Evolution of Cultural Freedom" reviewed by Dennis McNally

The following is an excerpt from the “Spirituals to Swing" chapter of On Highway 61: Music, Race, and the Evolution of Cultural Freedom by Dennis McNally (Counterpoint Press, Berkeley, 2014).

Danny Barker, who in the 1930s was Cab Calloway's guitarist, told a particularly revealing story of working at the Nest Club, a Harlem ...

ARTICLE: TAKE FIVE WITH...

Take Five With Tracy Mothershed

Read "Take Five With Tracy Mothershed" reviewed by Tracy Mothershed

Meet Tracy Mothershed:
I use to listen to my mother play the piano and try to follow her... I would listen to my Grandmother sing and Grandparents dance. My uncle Douglas and I would sing and sing... play records and I would pretend to have a microphone and be a famous jazz singer.

ARTICLE: UNDER THE RADAR

Eddie Durham: Genius in the Shadows

Read "Eddie Durham: Genius in the Shadows" reviewed by Jim Gerard

On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...

ARTICLE: RACE AND JAZZ

BAM or JAZZ: Part Two!

Read "BAM or JAZZ: Part Two!" reviewed by Greg Thomas

Jazz, an art form given birth in the United States by descendents of the formerly enslaved, has a complicated relationship with race. Although race, as a popular idea, has no basis in biology, many people mentally adhere to the idea of dividing groups of people based on “race" as opposed to understanding how groups of people ...

Sarah Marie Young: Expressive

Read "Expressive" reviewed by Alex Marianyi

Who needs a drummer, anyway? Not Sarah Marie Young. It's a certainty that the Chicago-based vocalist has nothing personal against drummers, but despite the absence of drums and percussion on Expressive, the rhythmic intensity, drive and energy they normally bring to the music are certainly not lacking.

Expressive's tracks demonstrate considerable variety, from ...

ARTICLE: RACE AND JAZZ

Gary Giddins on Ignored Black Jazz Writers

Read "Gary Giddins on Ignored Black Jazz Writers" reviewed by Greg Thomas

In the first essay for the Race and Jazz column, I gave a first-person account of how my love and appreciation of certain “white" saxophonists served to safeguard me from the temptation of racism back in college during the early-to-mid-'80s. My second essay privileged culture over race, and told the story of how attorney and constitutional ...

NEWS: RADIO

Salute to Women Composers This Week on Riverwalk Jazz

Salute to Women Composers This Week on Riverwalk Jazz

This week on Riverwalk Jazz, vocalists Topsy Chapman, Carol Woods, Stephanie Nakasian and Rebecca Kilgore join The Jim Cullum Jazz Band for A Woman's Touch, a concert of jazz standards composed by women. The weekly jazz show is carried nationwide on the air by Public Radio International, on XM/Sirius sattelite radio and streamed on-demand on the Riverwalk Jazz website here. What ...