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1974: King Crimson, Mahavishnu Orchestra, Billy Cobham and Miles Davis
by Len Davis
1974, fifty years ago with King Crimson, Isotope, Larry Coryell, Miles Davis, Billy Cobham, Weather Report, Herbie Hancock, Return To Forever, Joe Farrell, Jerry Goodman with Jan Hammer, the Mahavishnu Orchestra and Jaco Pastorius with Pat Metheny, Bruce Ditmas and Paul Bley. Playlist King Crimson “Red" from Red (Island Records) 00:00 Isotope “Rangoon Creeper" ...
The YouTuber: Andy Edwards
by B.D. Lenz
With the rise of the internet and social media, some new job titles have recently come into existence such as Influencer, Blogger, and YouTuber. And, just as these social media platforms inform the public's knowledge and opinions about everything else nowadays, they certainly have an effect on people's interactions with music. It's just as common now ...
'70s to the '80s with Return To Forever, Dixie Dregs, Brecker Brothers and Miles Davis
by Len Davis
Music from the '70s to the '80s from Return To Forever, Dixie Dregs and Bill Bruford. Brecker Brothers, Tony Williams, Miles Davis and The Mahavishnu Orchestra. Playlist Return To Forever “Duel Of The Jester And The Tyrant" from Romantic Warrior (Columbia) 00:00 Dixie Dregs “I'm Freaking Out" from Dregs Of The Earth (Arista) 07:49 ...
Shakti At Hammersmith Eventim Apollo
by Ian Patterson
Shakti Hammersmith Eventim Apollo Hammersmith, jny:London June 27, 2023 All things must come to pass. Still, it came as a shock to learn that Shakti's two concerts in London would be their last in the UK. Earlier dates in India, a summer tour of Europe and North American dates through August ...
Wayne Shorter remembered as Jazz's Shaman Of Musical Influence
by Doug Hall
The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...
John McLaughlin: The Montreux Years
by Ian Patterson
Montreux Jazz Festival and John McLaughlin have shared a special bond since the English guitarist first performed at the internationally renowned Swiss festival in 1972, with The Mahavishnu Orchestra. Since then, the ever-searching McLaughlin has returned numerous times, with almost every formation he has ever led. This double vinyl or single-CD release is effectively a sampler, ...
Samuel Mösching: Ethereal Kinks
by Kyle Simpler
Two words that frequently get overused when talking about jazz are “fusion" and “eclectic." In many cases, if something is difficult to categorize, one of these terms will probably apply. Unfortunately, in many cases, these terms also fail to truly capture the essence of the music. However, for Samuel Mösching's Ethereal Kinks, both eclectic and fusion ...
Top Jazz-Rock Fusion Recordings
by Douglas Groothuis
The emergence of jazz-rock fusion in American music in the late 1960s was controversial. To some, those who played it were traitors to the cause of jazz. Others thought it has saved jazz from extinction. Sometime in the 1960s, rock had eclipsed jazz in popularity in America, and many jazz aficionados were none too happy about ...
About Mahavishnu Orchestra
Instrument: Band / ensemble / orchestra
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Mahavishnu Orchestra
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John McLaughlin's Mahavishnu Orchestra is considered by many to be the greatest Jazz-fusion group of all time. The group was formed in late 1970-early 1971 by McLaughlin, a brilliant guitarist with a jazz-rock pedigree that included work with the Graham Bond Organization in the mid-60s, and with the electrified Miles Davis on his landmark "Bitches Brew" LP in 1969. The original Orchestra included Jan Hammer (later to score TV's "Miami Vice") on keyboards, Jerry Goodman on violin, Rick Laird on bass, and Billy Cobham on drums. Signed with much hoopla to Columbia in 1971, they released two fabulous studio albums, “Inner Mounting Flame,” (’71) and “Birds of Fire,” (’72) along with a live ‘73 album, “Between Nothingness and Eternity.” A reformation of the group in 1974 brought Jean-Luc Ponty on board to play violin, Gayle Moran on keyboards and vocals, Ralphe Armstrong on bass, and drummer Michael Warden
Particle: Accelerator
by Doug Collette
Contrary to prevailing popular opinion, electr(on)ic keyboards are not just for noodling in ever-so-cheesy, toy-like tones. In the hands of the titular leader of Particle, keyboardist/vocalist Steve Molitz, for instance, those instruments are lethal weapons with which, on the group's first album in fourteen years, he sets out to destroy preconceptions about what righteous creations can ...
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