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Mark Weinstein: Timbasa
by Paul J. Youngman
What do you want from your Latin jazz album? Great musicianship? Authentic music? Danceable? Must it have great rhythm, catchy tunes and present the best in Latin percussion? Mark Weinstein is a name not immediately associated with the best of Latin jazz, but he has done it again with Timbasa, a fantastic recording and his fifth ...
Mark Weinstein: Timbasa
by Raul d'Gama Rose
It would seem that there is no stopping flutist, Mark Weinstein. While the composer and instrumentalist extraordinaire may not have trumped his awe-inspiring expedition into the realm of improvisation, Tales From The Earth (Ota Records, 2009) his album, Timbasa has certainly turned out to be an alchemist's dream. Who would ever have imagined that Miles Davis' ...
Mark Weinstein: Timbasa
by Woodrow Wilkins
First came the transition from trombonist to flutist. Then came the transition to Latin jazz. For Mark Weinstein, a confluence of worlds has become modus operandi. Brooklyn-born Weinstein's experience has included a fusion of post-bebop music with traditional Afro-Cuban drumming. As a trombonist, he worked with Chick Corea, Cal Tjader, Tito Puente, Maynard Ferguson, ...
Mark Weinstein: Timbasa
by Dan Bilawsky
It's not uncommon to hear about an alto player moving to tenor, or vice versa, in an attempt to grow musically, develop a different sound or avoid getting stale. Likewise, plenty of people branch out within the woodwind or brass families, like a saxophonist learning to double on flute or a trumpet player doubling on valve ...