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ARTICLE: ALBUM REVIEWS

Eraldo Bernocchi: Like A Fire That Consumes All Before It

Read "Like A Fire That Consumes All Before It" reviewed by Mark Sullivan

Italian multi-instrumentalist and composer Eraldo Bernocchi created this music as the soundtrack to a documentary film on the American visual artist Cy Twombly entitled Cy Dear. Bernocchi was given complete freedom, and quickly found that his ideas naturally reflected those of the film's creators. More than that, he found himself becoming part of the story, bringing ...

ARTICLE: ALBUM REVIEWS

Colin Edwin & Lorenzo Feliciati: Twinscapes Vol. 2: A Modern Approach To The Dancefloor

Read "Twinscapes Vol. 2: A Modern Approach To The Dancefloor" reviewed by Mark Sullivan

On their first album, Twinscapes (Rare Noise, 2014), British bassist Colin Edwin (Porcupine Tree) and Italian bassist Lorenzo Feliciati (Naked Truth) explored ambient soundscapes, improvisation and progressive jazz/rock with help from guest musicians like Norwegian trumpeter Nils Petter Molvær (a pioneer of electronic jazz) and British saxophonist David Jackson (of Van der Graaf Generator). The second ...

ARTICLE: ALBUM REVIEWS

Yelena Eckemoff: Better Than Gold and Silver

Read "Better Than Gold and Silver" reviewed by Mark Sullivan

Russian-born pianist/composer Yelena Eckemoff began setting verses from the Bible's Book of Psalms shortly after her conversion to Catholicism, even before her emigration to the United States. But she waited until she had considerable experience working with jazz musicians before attempting these jazz arrangements. The first disc in this double disc set presents settings with two ...

ARTICLE: ALBUM REVIEWS

Colin Edwin & Lorenzo Feliciati: Twinscapes Vol. 2: A Modern Approach To The Dancefloor

Read "Twinscapes Vol. 2: A Modern Approach To The Dancefloor" reviewed by Dan McClenaghan

The cover art of Twinscapes Vol. 2: A Modern Approach To The Dancefloor features what looks like a cyborg, illuminated by hot electricity on the upper portion of its visage, a face otherwise surrounded by lifeless black. The image is fitting. The album's music--from bassists Colin Edwin and Lorenzo Feliciati--celebrates the dancefloor music of the '80s. ...

ARTICLE: ALBUM REVIEWS

Cuong Vu 4Tet: Change In The Air

Read "Change In The Air" reviewed by Mark Sullivan

Seattle-based trumpeter Cuong Vu continues his collaboration with guitarist Bill Frisell that began with It's Mostly Residual (AUAND, 2006). His previous 4Tet release, Ballet: The Music Of Michael Gibbs (RareNoise Records, 2017), was also made by the same personnel. But this time, instead of interpretations of an outside composer, every group member contributes compositionally, including Vu, ...

ARTICLE: ALBUM REVIEWS

Cuong Vu 4Tet: Change In The Air

Read "Change In The Air" reviewed by Dan McClenaghan

Trumpeter Cuong Vu introduced this particular 4tet in 2017, with Ballet: The Music of Michael Gibbs (RareNoiseRecords). An all star affair that included guitarist Bill Frisell, bassist Luke Bergman and drummer Ted Poor, it seemed to signal something of a gentler Cuong Vu, with a music that had a spaciousness, patience and ruminative quality that didn't ...

ARTICLE: ALBUM REVIEWS

Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by Doug Collette

His third fairly conventional release in a row, Blue Dream is Jamie Saft's second release of this year, followup of a sort to the splendid piano recital Solo a Genova (Rarenoise, 2018). Both titles appear subsequent to a diverse string of projects including Plymouth (Rarenoise, 2014), Red Hill (Rarenoise, 2014) and Serenity Knolls (Rarenoise, 2017), none ...

ARTICLE: ALBUM REVIEWS

Jan Peter Schwalm: How We Fall

Read "How We Fall" reviewed by Mark Sullivan

Jan Peter Schwalm is a German composer and music producer, best known for his collaborations with ambient music pioneer Brian Eno, including the album Drawn From Life (Opal, 2001). Since 2006 Schwalm has been a regular guest at Norway's Punktfestival, distinguishing himself as a live remixer. He has also developed a long- term partnership with Norwegian ...

ARTICLE: ALBUM REVIEWS

Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by C. Michael Bailey

If RareNoise Records has a characteristic sound as ECM Records has a characteristic sound, that sound is defined Jamie Saft. Whether it is the unholy ministry of Slobber Pup or the plaintive solo piano of his recent Solo A Genova (RareNoise, 2018), multi-instrumentalist Saft has brought Giacomo Bruzzo's and Eraldo Bernocchi's eclectic-electric British label front and ...

ARTICLE: ALBUM REVIEWS

Kristo Rodzevski: The Rabbit and the Fallen Sycamore

Read "The Rabbit and the Fallen Sycamore" reviewed by C. Michael Bailey

A glancing blow from Kristo Rodzevski's trilogy-concluding The Rabbit and the Fallen Sycamore will bring to mind a Matthew Sweet on mushrooms crossed with Morrissey in a good, if silly, mood. Preceded by Batania (Self Produced, 2015) and Bitter Almonds (Self Produced, 2017), The Rabbit completes Rodzevski's evolution into a musician capable of drawing consonance out ...



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