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Why Steely Dan Can Never Really Be Yacht Rock

Read "Why Steely Dan Can Never Really Be Yacht Rock" reviewed by Eric Pettine

The website Really Smooth Music provides the definition of the term Yacht Rock as being “a variation of popular Soft Rock that peaked between the years of 1976 and 1984 (as featuring a) highly polished brand of soft rock that emanated from Southern California during the late '70s and early '80s. The term is meant to ...

ARTICLE: LIVE REVIEWS

Galway Jazz Festival 2018: Day 2

Read "Galway Jazz Festival 2018: Day 2" reviewed by James Fleming

Day 1 | Day 2 | Day 3 | Day 4

Various Venues
Galway Jazz Festival
Galway, Ireland
October 5, 2018

Thursday night's curtain rose on a brighter day, and a breeze blew gently down Galway's streets carrying the smell of the city on its back: petrol, coffee, sea-salt, cigarettes. ...

ARTICLE: SOCAL JAZZ

Marcus Miller: America's AmBASSadoor

Read "Marcus Miller: America's AmBASSadoor" reviewed by Jim Worsley

Marcus Miller is most often described as a jazz, funk, soul, fusion, and R&B bassist. As much as that is accurate, it is a description that falls well short of the mark. Miller is a high-end musical sponge who manages to incorporate today's cultures and rhythms into his compositions, layered within the framework of sound he ...

ARTICLE: LIVE REVIEWS

Sligo Jazz Project 2018: Days 3-4

Read "Sligo Jazz Project 2018: Days 3-4" reviewed by James Fleming

Days 1-2 | Days 3-4

Sligo Jazz Project
Various Venues
Sligo, Ireland
July 24-29, 2018

July 26, 2018When the wind died down the day turned humid and heavy. Clouds hung low in the sky, grey and oppressive. And as Sligo's people sipped their coffees and settled down at their ...

ARTICLE: INTERVIEWS

Hal Willner's Rock 'n' Rota

Read "Hal Willner's Rock 'n' Rota" reviewed by Ludovico Granvassu

"The whole is greater than the sum of its parts." Anyone who has ever been at an all-star event--especially if that was a tribute concert--has learned the importance of Aristotle's maxim the hard way. Maybe the occasion was momentous, the cast probably star-studded, the heart certainly in the right place and the expectations high... however, at ...

ARTICLE: INTERVIEWS

Michael Leonhart: Surfing on an Orchestral Wave

Read "Michael Leonhart: Surfing on an Orchestral Wave" reviewed by Ludovico Granvassu

If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...

Gideon King: Street Jazz

Read "Gideon King: Street Jazz" reviewed by Paul Naser

New York based guitarist/composer/ songwriter Gideon King is no stranger to the city. Growing up there, he is well positioned to tell a story or two about the place. This is just what he sets out to do with his forthcoming release with his band City Blog, entitled Upscale Madhouse. Far from a condemnation, the title ...

ARTICLE: LIVE REVIEWS

Festival International de Jazz de Montréal 2018: Part 1

Read "Festival International de Jazz de Montréal 2018: Part 1" reviewed by John Kelman

Part 1 | Part 2

2018 Festival International de Jazz de Montréal,
Various Venues,
Montréal, Canada
June 29-July 3, 2018

Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...

ARTICLE: LIVE REVIEWS

TD Ottawa Jazz Festival 2018

Read "TD Ottawa Jazz Festival 2018" reviewed by John Kelman

2018 TD Ottawa Jazz Festival
Multiple Venues
Ottawa, Canada
June 21-June 26, 2018

For its 2018 edition, the 39th annual TD Ottawa Jazz Festival faced a number of significant logistical challenges.

First, Confederation Park, which has traditionally been the location of its large, outdoor venue, a food court and ...

ARTICLE: INTERVIEWS

Leonardo Pavkovic: Nothing is Ordinary

Read "Leonardo Pavkovic: Nothing is Ordinary" reviewed by Chris M. Slawecki

More than any other person, Leonardo Pavkovic has made me write some crazy shit.

Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. “Established" may not be the right word: “I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...