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ARTICLE: ALBUM REVIEWS

Julian "Cannonball" Adderley: Swingin' in Seattle, Live at the Penthouse 1966-1967

Read "Swingin' in Seattle, Live at the Penthouse 1966-1967" reviewed by Luca Canini

Un imperdibile e prezioso inedito. Settanta minuti di musica mai ascoltati prima che arrivano dritti dritti dalla seconda metà degli anni Sessanta. Un periodo cruciale per Julian Cannonball Adderley e il suo quintetto, freschi di approdo alla californiana Capitol, etichetta con le spalle decisamente più larghe e molto meno “ortodossa" rispetto alla newyorchese Riverside, e lanciati ...

ARTICLE: PROFILES

Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays

Read "Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays" reviewed by Arthur R George

Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.

ARTICLE: ALBUM REVIEWS

Various Artists: MPS: 50 Years

Read "MPS: 50 Years" reviewed by Chris M. Slawecki

In 2018, MPS--Musik Produktion Schwarzwald--Records, Germany's first jazz label, celebrated its fiftieth anniversary. Pianist Oscar Peterson recorded the first release for MPS after his contract with Verve expired. Its catalog expanded to feature George Duke, Red Garland, Wolfgang Dauner, Horst Jankowski, George Shearing, Monty Alexander and many other pianists. Violin became the label's second most featured ...

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki

Tony Adamo
Was Out Jazz Zone Mad
Ropeadope
2018

Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

ARTICLE: RADIO

New Sounds - Walter Smith III, John Escreet and Maisha

Read "New Sounds - Walter Smith III, John Escreet and Maisha" reviewed by Bob Osborne

Demonstrating the wide variety of music in the jazz world recent releases from Walter Smith, John Escreet and Maisha are featured on this show. With other material, old and new, in between, there is mixed bag of styles, and, sounds on display.

Playlist Walter Smith III “Ask Me Now" from Twio (Whirlwind) 00:00 ...

ARTICLE: LIVE REVIEWS

Detroit Jazz Festival 2018

Read "Detroit Jazz Festival 2018" reviewed by C. Andrew Hovan

Detroit Jazz Festival
Downtown Detroit
Detroit, Michigan
August 31-September 3, 2018

Over the course of its 39 year history, the largest free jazz festival in North America has seen its shares of up and downs. It once swelled to a five-day event starting on the Thursday evening before Labor Day and ...

ARTICLE: ALBUM REVIEWS

Dexter Gordon: Dexter Gordon Quartet Tokyo 1975

Read "Dexter Gordon Quartet Tokyo 1975" reviewed by Mike Jurkovic

Though in many regards a standard, none-too-frenetic quartet setting, Dexter Gordon Quartet Tokyo 1975 is still as grand a starting point for Elemental Music's inaugural launch of previously unreleased jazz performances as can be.

Gordon found himself exuberantly liberated from the antiquated (and sadly all too present) prejudices of America during his fourteen-year expatriation ...

ARTICLE: LIVE REVIEWS

Ted Chubb Band at Trumpets Jazz Club

Read "Ted Chubb Band at Trumpets Jazz Club" reviewed by David A. Orthmann

Ted Chubb Band
Trumpets Jazz Club
Montclair, NJ
June 21, 2018

The other night I went to Trumpets Jazz Club to check out the Ted Chubb Band without any preconceptions as to what I was about to hear. I was nonetheless interested in answers to some basic questions. Knowing nothing about ...

The John L. Nelson Project: Don't Play With Love

Read "Don't Play With Love" reviewed by Phillip Woolever

Playing a key role in creating a musician can mean just as much as creating music. In that regard, this is indeed an ironic title since strong emotional ties formed the beginning of both the song's origins and offspring.

During years around the 1950s, John L. Nelson performed traditional jazz songs he wrote under ...

ARTICLE: WHAT IS JAZZ?

Jazz House Kids: The House that Jazz Built

Read "Jazz House Kids:  The House that Jazz Built" reviewed by Bob Kenselaar

When we think of jazz education, we might first think about what's developed at the college level and at music conservatories over the last fifty years or so, and then maybe consider how jazz instruction and jazz bands have flourished at the high school and middle school levels a little more recently. But beyond these settings, ...