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ARTICLE: INTERVIEWS

Ruslan Sirota: A Journey Away

Read "Ruslan Sirota: A Journey Away" reviewed by Mackenzie Horne

Ruslan Sirota would bristle against the classification of “pianist," “multi-instrumentalist," or “composer." He is, of course, all of these things... which is precisely the point. Raised on the songs of the Soviet and nurtured by the fusion alumni of the 1960s, Sirota has thus far navigated his professional career with an acute sense of sound, unencumbered ...

ARTICLE: ALBUM REVIEWS

Binker Golding: Abstractions Of Reality Past & Incredible Feathers

Read "Abstractions Of Reality Past & Incredible Feathers" reviewed by Chris May

None of the new, legion improviser-composer tenor saxophonists on London's underground scene are more accomplished than Binker Golding, and unlike many avant-garde players, Golding has a thorough knowledge of the saxophonists who preceded him. His originality is, in a phrase coined by Harold Rosenberg, art critic on The New Yorker in the 1970s, “emblazoned with the ...

ARTICLE: ALBUM REVIEWS

Quentin Collins Sextet: Road Warrior

Read "Road Warrior" reviewed by Chris May

Hard-bop with a modern twist from the British trumpeter Quentin Collins, who is probably best known for his work with the Kyle Eastwood Band and who leads his own transatlantic group on Road Warrior. The frontline is completed by two British-based saxophonists, Leo Richardson on tenor and Meilana Gillard on alto. The rhythm section is out ...

ARTICLE: ALBUM REVIEWS

Various Artists: Sunny Side Up

Read "Sunny Side Up" reviewed by Chris May

London DJ Gilles Peterson's worldwide touring produces some singular jazz and near-jazz experiences, the best of which he documents on his Brownswood Recordings label. Modern Cuban music figures prominently in the catalogue, and there have been several Japanese jazz albums, most memorably the Toshio Matsuura Group's Loveplaydance: 8 Scenes From The Floor (Brownswood, 2018). The label ...

ARTICLE: ALBUM REVIEWS

Bill Bruford's Earthworks: Earthworks Complete

Read "Earthworks Complete" reviewed by John Kelman

Since retiring as a professional musician in 2009, progressive/art rock turned jazz drummer Bill Bruford has successfully managed to maintained a place in the public eye. Beyond his engaging, informative and successful Bill Bruford: The Autobiography (Jawbone Press, 2009), the drummer/percussionist has more recently released a second, equally captivating book, Uncharted: Creativity and the Expert Drummer ...

ARTICLE: LIVE REVIEWS

Atlanta Jazz Festival 2019

Read "Atlanta Jazz Festival 2019" reviewed by Mark Sullivan

Atlanta Jazz Festival Atlanta, GA May 25-26, 2019 Last year the festival operated under the threat of rain all weekend. This year's 42nd edition saw record-tying high temperatures: 93 and 94 degrees Fahrenheit (ten degrees above the historical averages). No doubt it is a coincidence that the programming was cooler than last ...

ARTICLE: LIVE REVIEWS

Somi at Dazzle

Read "Somi at Dazzle" reviewed by Geoff Anderson

Somi Dazzle Denver, CO January 16, 2019 A case can be made that all Western popular music can trace its origins to Africa. Even if that's a bit of an exaggeration, it's not when it comes to vocalist/songwriter Somi. She was born in Illinois, but her parents were immigrants from Rwanda ...

MUSICIAN Born:

Pat Metheny

Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility—a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues

ARTICLE: LIVE REVIEWS

Festival International de Jazz de Montréal 2018: Part 1

Read "Festival International de Jazz de Montréal 2018: Part 1" reviewed by John Kelman

Part 1 | Part 22018 Festival International de Jazz de Montréal, Various Venues, Montréal, Canada June 29-July 3, 2018 Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...

ARTICLE: MULTIPLE REVIEWS

Antonio Sanchez: Three Times Three & The Meridian Suite

Read "Antonio Sanchez: Three Times Three & The Meridian Suite" reviewed by Luigi Sforza

Antonio Sanchez Three Times Three # CamJazz 2015 Tra vari modi di intendere un trio jazz, Antonio Sanchez ne ha scelti tre. Per il suo eccellente doppio album Three Time Three, il batterista messicano ha radunato attorno a sè sei importanti musicisti; con loro ha dato vita a tre trii: ...


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