All About Jazz

Home » Tag Center » Tag: Fred Wesley

Content by tag "Fred Wesley"

ARTICLE: TAKE FIVE WITH...

Take Five with Black Tie Brass

Read "Take Five with Black Tie Brass" reviewed by Ryan McNulty

About Black Tie Brass:

Black Tie Brass is a horn driven jazz funk band. Lead by Ryan McNulty, most of the band met at college in New York and have been playing together since 2008 and formed BTB is 2013. We released our first self-titled album after a successful Kickstarter campaign in 2014. We ...

ARTICLE: ALBUM REVIEWS

Rob Dixon: Coast to Crossroads

Read "Coast to Crossroads" reviewed by Chris M. Slawecki

"The album is called Coast to Crossroads because I'm based in Indiana, the Crossroads state, but I also work a lot on the West Coast and East Coast," explains saxophonist Rob Dixon, who leads this trio session with drummer Mike Clark and seven-string funk guitar maven Charlie Hunter (who also served as producer), plus occasional guest ...

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki

Tony Adamo
Was Out Jazz Zone Mad
Ropeadope
2018

Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

ARTICLE: ALBUM REVIEWS

Dexter Payne Quintet: Jazz for All (Jazz Forró)

Read "Jazz for All (Jazz Forró)" reviewed by Chris M. Slawecki

Dexter Payne plays clarinet with an easy, warm and conversational style. It never sounds like he's pushing or stretching toward the next note, but more like he kind of just lets the next note flow out from this one. On Jazz For All, Payne and his quintet flow through Brazilian choro from a unique, multi-cultured and ...

From Choro to Chaos

Read "From Choro to Chaos" reviewed by Chris M. Slawecki

Berkeley Choro Ensemble
The View from Here
Self-Produced
2017

Like its organic natural wonders, the music of Brazil seems to flourish in different forms and styles of beauty. But much of its music has grown from the root of choro: Born in the mid-to late-1800s from the joining ...

ARTICLE: LIVE REVIEWS

Foundation of Funk at Cervantes Masterpiece Ballroom

Read "Foundation of Funk at Cervantes Masterpiece Ballroom" reviewed by Geoff Anderson

Foundation of Funk
Cervantes Masterpiece Ballroom
Denver
February 11, 2017

Foundation: the base upon which something is built. From houses to skyscrapers, foundations are essential. They must be solid, strong and most of all, immovable. A funk foundation? That, too, must be solid and strong. But immovable? No, quite the ...

NEWS: BOOK / MAGAZINE

Recent Reading: Books About Jazz In Four US Regions

Recent Reading: Books About Jazz In Four US Regions

After jazz emerged—or coalesced—as a distinct form of music in jny: New Orleans in the early twentieth century, it quickly took hold throughout the world. Jazz musicians developed on every continent, even in countries where the spirit of jazz goes against the grain of politics and culture; a jazz community is emerging in China, not an eventuality that ...

ARTICLE: ALBUM REVIEWS

Krakauer's Ancestral Groove: Checkpoint

Read "Checkpoint" reviewed by Chris M. Slawecki

Clarinet master David Krakauer was born in raised in New York City. As he spread his considerable chops throughout NYC's classical, electronica and jazz scenes, he became known as a Klezmer specialist but just as often appeared as a soloist or member of various symphony orchestras, string quartets and chamber ensembles alongside a head-shaking variety of ...

Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo

Read "Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo" reviewed by Chris M. Slawecki

Brian Andres & the Afro-Cuban Jazz Cartel
This Could Be That
Self-Produced
2016

This Could Be That celebrates the first decade of Brian Andres & his Afro-Cuban Jazz Cartel, which came together in 2007 in and around the jny: San Francisco Bay Area's Latin jazz hothouse. Music ...

ARTICLE: ALBUM REVIEWS

Kenneth Salters Haven: Enter to Exit

Read "Enter to Exit" reviewed by Luca Muchetti

Nove brani per raccontare il proprio mondo musicale, per la prima volta da titolare. Si intitola Enter to Exit il debutto di Kenneth Salters Haven, batterista originario del Connecticut ma dal 2006 stabilmente sui palchi del jazz newyorkese. Dopo una lunga palestra che ha fatto incrociare il compositore e bandleader con Don Byron, Chris Potter, Aretha ...