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Provenance, Mal de mer, Duration: Evan Parker and Peter Evans at Solilóquios in Porto

Read "Provenance, Mal de mer, Duration: Evan Parker and Peter Evans at Solilóquios in Porto" reviewed by Arian Bagheri Pour Fallah

Provenance Evan Parker needs little introduction. To the listener and to the critic, clearly, but above all to the formation of musical matter. The rudiments of his making are well obscured twenty seconds in after he enkindles the first note. He plays the saxophone durably--static, in deathlike stillness. It is easy, in fact, to mistake his ...

ARTICLE: ALBUM REVIEWS

Peter Evans / Sam Pluta: Two Live Sets

Read "Two Live Sets" reviewed by Mark Corroto

The most extraordinary music ever presented has elicited the same time-honored “what the f@#k was that?" response. From Elvis (both Presley and Costello) to Grandmaster Flash, Igor Stravinsky, and Charlie Parker, the “shock of the new'" (to borrow a phrase from art critic Robert Hughes) adjusts listeners' criteria for judging a composition or performance, and often ...

ARTICLE: ALBUM REVIEWS

Peter Evans / Barry Guy: Syllogistic Moments

Read "Syllogistic Moments" reviewed by John Sharpe

From the first few seconds of the opening “Red Green" onwards, this live recording from trumpeter Peter Evans and bassist Barry Guy is a feat of death defying bravura. The two are among the most utterly distinctive practitioners on their instruments and they create a fast evolving kaleidoscope of preposterous sounds. Evans named his record label ...

ARTICLE: ALBUM REVIEWS

Cory Smythe: Circulate Susanna

Read "Circulate Susanna" reviewed by Karl Ackermann

Cory Smythe tells stories. About stories. Specifically, a father's tales in the rural heartland of America; ingredients that a listener might assume had shaped Smythe's imagination in ways that go far beyond music. But like the Stephen Foster discs spinning on the gramophone as a tornado approaches, Smythe's nostalgic and inspirational world is liner-note fantasy. Nevertheless, ...

ARTICLE: LIVE REVIEWS

European Jazz Conference Lisbon 2018: Portuguese showcases

Read "European Jazz Conference Lisbon 2018: Portuguese showcases" reviewed by Henning Bolte

Centro Cultural de Belém (CCB); Livraria Ler Devagar
European Jazz Conference Lisbon 2018
Lisbon, Portugal
September 13-15, 2018

European Jazz Conference Lisbon 2018: Portuguese showcases This year's annual European Jazz Conference, a convention organized by the European Jazz Network, took place at Centro Cultural de Belém (CCB) in the Portuguese capital ...

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

ARTICLE: ALBUM REVIEWS

Stephanie Richards: Fullmoon

Read "Fullmoon" reviewed by Karl Ackermann

With the release of Fullmoon, trumpeter and composer Stephanie Richards joins the ranks of Susana Santos Silva, Franz Hautzinger, Peter Evans and Nate Wooley. This enlightened group of trumpeters have taken the art of the solo to new heights with various combinations of extended technique, microtonality, free improvisation and electronic/acoustic experimentation. Here, Richards touches on almost ...

ARTICLE: ALBUM REVIEWS

Susana Santos Silva: All the Rivers – Live at Panteão Nacional

Read "All the Rivers – Live at Panteão Nacional" reviewed by Karl Ackermann

The young Portuguese trumpeter Susana Santos Silva has been steadily rising in the ranks of cutting-edge improvisers and composers. Santos has extensive conservatory training from her native country, as well as in Germany and Holland. She is at home in the colloquial language of traditional jazz and the avant-garde, but her strength is in a sound ...

ARTICLE: ALBUM REVIEWS

Thomas Johansson: Home Alone

Read "Home Alone" reviewed by Mark Corroto

When does this guy breathe? This might be the question going through your mind while you listen to “Signal This," the fifth track on Side A of trumpeter Thomas Johansson's solo recording Home Alone. The brief, three minute performance is, at first glance, more about physicality than music making. On the surface, a solo trumpet performance ...

ARTICLE: ALBUM REVIEWS

Tyshawn Sorey: Verisimilitude

Read "Verisimilitude" reviewed by Giuseppe Segala

Il tocco ricco di sottili contrasti dinamici che Tyshawn Sorey mette in risalto alla batteria si avvicina per ampiezza espressiva a quello delle dita su un pianoforte: dalla pennellata acquosa al colpo ovattato, dall'urto leggero alla cupa, vigorosa stoccata. Sempre restando nell'ambito di una gamma elastica, mobile, rilassata. Una qualità che, unita alla plastica intelligenza musicale, ...