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Content by tag "Peter Brotzmann"

ARTICLE: CD/LP/TRACK REVIEW

Peter Brötzmann, Steve Swell, Paal Nilssen-Love: Live In Tel Aviv

Read "Live In Tel Aviv" reviewed by Enrico Bettinello

Un altro tassello si aggiunge alla già corposa discografia del sassofonista tedesco Peter Brötzmann, il terzo insieme a questo trio con il trombone di Steve Swell e la batteria di Paal Nilssen-Love.

Rigorosamente dal vivo, catturato nel momento in cui questa materia incandescente viene lavorata dai tre musicisti.

Un rituale sonoro ...

ARTICLE: LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018

Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

Satoko Fujii: Triad

Read "Triad" reviewed by Karl Ackermann

Triad is the fifth of twelve monthly albums to be released as part of pianist-composer Satoko Fujii's extended celebration of her sixtieth birthday. It is also her second album with the legendary American bassist Joe Fonda. Duet (Long Song Records, 2016), recorded live in Portland, Maine in 2015, had brought the pair together at Fonda's request ...

Mars Williams / Tollef Østvang: Painted Pillars

Read "Painted Pillars" reviewed by Mark Corroto

If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

Ross Hammond & Jay Nair: Songs Of Universal Peace

Read "Songs Of Universal Peace" reviewed by Mark Corroto

If we all practiced a bit if mettā, there would be no war. The Buddha told us this, so did Gandhi, Mother Teresa and John and Alice Coltrane. All these folks realized the practice of mettā--loving kindness, or the wish that all sentient beings be happy and free from suffering--is the path to universal peace. The ...

Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years

Read "Globe Unity - 50 Years" reviewed by Mark Corroto

Pianist Alexander von Schlippenbach's Globe Unity Orchestra (GUO) employs a similar head-scratching process to that utilized to make geuze, a much-treasured Belgian beer. Both elicit the “how did they do that?" question, and both seem to be a gift from Mother Nature. Schlippenbach brings together a choice assemblage of improvisers, like the ingredients of guesze (wheat ...

Tellef Øgrim: LAIV

Read "LAIV" reviewed by Mark Corroto

There are very good reasons not to approach animals in the wild. Chief among them is survival. Sure, all those nature documentaries and children's cartoons show the playful offspring romping in nature's glory. What they fail to reveal is the eviscerated body of the gentle nature photographer who got too close.

You might not ...

Aruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich

Read "Live in Zürich" reviewed by Karl Ackermann

Live in Zürich is the twelfth album from Cuban avant-garde composer and pianist Aruán Ortiz. Of those recordings widely available in the US, Ortiz has worked with a variety of group formats. His quartet released Orbiting (Fresh Sound New Talent, 2013), was followed by a trio outing on Hidden Voices (Intakt Records, 2016) and two successive ...

Rudi Mahall / Alexander von Schlippenbach: So Far

Read "So Far" reviewed by Mark Corroto

The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay.

The two German ...