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ARTICLE: CD/LP/TRACK REVIEW

Peter Brötzmann, Steve Swell, Paal Nilssen-Love: Live In Tel Aviv

Read "Live In Tel Aviv" reviewed by Enrico Bettinello

Un altro tassello si aggiunge alla già corposa discografia del sassofonista tedesco Peter Brötzmann, il terzo insieme a questo trio con il trombone di Steve Swell e la batteria di Paal Nilssen-Love.

Rigorosamente dal vivo, catturato nel momento in cui questa materia incandescente viene lavorata dai tre musicisti.

Un rituale sonoro ...

ARTICLE: CD/LP/TRACK REVIEW

Tom Abbs & Frequency Response: Hawthorne

Read "Hawthorne" reviewed by Karl Ackermann

Bassist and multi-instrumentalist Tom Abbs began his Frequency Response series in 2003 with Conscription (CIMP Records). The group--then a quartet--included tenor saxophonist Brian Settles and drummer Chad Taylor. Alto saxophonist Jason Candler, violinists Jean Cook and Jenna Barvitski are later additions to Frequency Response. On their long-awaited fourth album Hawthorne, Abbs again stands in as a ...

ARTICLE: CD/LP/TRACK REVIEW

Frode Gjerstad Trio + Steve Swell: Bop Stop

Read "Bop Stop" reviewed by John Sharpe

The bones of Norwegian saxophonist Frode Gjerstad's Trio go back a long way. He first co-opted drummer Paal Nilssen-Love into his Circulasione Totale Orchestra when he was still a teenager. Although bassist Jon Rune Strøm is a more recent recruit, he has still been on board since 2011. As such the consistently high quality interplay they ...

ARTICLE: LIVE REVIEWS

Moers Festival 2018

Read "Moers Festival 2018" reviewed by Martin Longley

Moers Festival
Moers, Germany
May 18-21, 2018

The long-established Moers Festival has undergone several changes in recent years. Its distinctive circus top tent was retired in 2013, making way for a custom-designed Halle to house most of the main concerts. Then, two years ago, the festival director and programmer switched ...

The Rempis / Daisy Duo & Guests: Dodecahedron

Read "Dodecahedron" reviewed by Mark Corroto

Saxophonist Dave Rempis and drummer Tim Daisy have been performing together in Chicago for decades. Their voices have been heard in Ken Vandermark's Audio One, Resonance Ensemble and The Vandermark Five, Triage (with Jason Ajemian), and their own projects, Rempis' Quartet, The Engines, Percussion Quartet (with Ingebrigt Håker Flaten and Frank Rosaly) and Daisy's Celebration Sextet ...

ARTICLE: LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018

Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

Michael Moss's Accidental Orchestra: Helix

Read "Helix" reviewed by Troy Dostert

A longtime contributor to the New York jazz scene whose roots go back to Sam Rivers's loft era of the 1970s, clarinetist and composer Michael Moss has typically worked in a small-group context, especially via his most well-known ensembles, Four Rivers and the New York Free Quartet. But on Helix, he's got more ambitious goals in ...

Jason Kao Hwang: Sing House

Read "Sing House" reviewed by Alberto Bazzurro

Un gruppo solido, perfettamente amalgamato, dal suono definito e ricco di sfumature, è quanto ci offre in questo album il sessantunenne violinista cino-americano Jason Kao Hwang, figura decisamente trasversale che nell'arco di un'ormai lunga (per quanto fin troppo appartata, verrebbe da dire) carriera ha collaborato con musicisti del calibro di Henry Threadgill e Anthony Braxton, Wadada ...

Bobby Zankel: Celebrating William Parker at 65

Read "Celebrating William Parker at 65" reviewed by John Sharpe

To mark bassist William Parker's 65th birthday, Philly-based reedman Bobby Zankel convened an all star sextet which included the honoree for a presentation of free jazz collectivism at the city's Painted Bride Arts Center in January 2017. Although not regular collaborators, they go back a long way. The pair first hooked up back in the loft ...

ARTICLE: LIVE REVIEWS

Never Alone: Reflections on the 2018 Winter Jazzfest

Read "Never Alone: Reflections on the 2018 Winter Jazzfest" reviewed by Tyran Grillo

Ornette Coleman once said that sound has no parents. But that doesn't mean we can't be its children. On that point, jazz has always been something of a parental force, connecting progenies of representation across geographic and cultural borders. Its relationship to struggle has, however, at times been overshadowed by debate. On the one hand, jazz ...