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ARTICLE: ALBUM REVIEWS

Bobby Bradford-Hafez Modirzadeh Quartet: Live At The Blue Whale

Read "Live At The Blue Whale" reviewed by Alberto Bazzurro

Bobby Bradford, classe 1934, un passato accanto ad autentici giganti, da Ornette Coleman (in particolare l'epocale Science Fiction, anno di grazia 1971) a John Carter (ripetutamente), tanto per fare solo due nomi, si unisce al più giovane sassofonista Hafez Modirzadeh per dirigere questo pregevole quartetto, nella cui musica (nello specifico ripresa dal vivo nel locale del ...

ARTICLE: ALBUM REVIEWS

Bobby Bradford / Hafez Modirzadeh Quartet: Live At The Blue Whale

Read "Live At The Blue Whale" reviewed by John Sharpe

This is the third album from the fertile pairing of cornetist Bobby Bradford and reedman Hafez Modirzadeh. Each time they have been joined by a different rhythm section: Ken Filiano and Royal Hartigan on Live At The Magic Triangle (NoBusiness, 2017), and Mark Dresser and Alex Cline on Live At The Open Gate (NoBusiness, 2016). This ...

ARTICLE: ALBUM REVIEWS

Bobby Bradford - Hafez Modirzadeh: live at the Blue Whale

Read "live at the Blue Whale" reviewed by Glenn Astarita

Cornetist Bobby Bradford (Ornette Coleman, Eric Dolphy, John Carter) has been a pivotal figure in the “new" jazz leanings on the U.S. West Coast and the global panorama, performing with the best and brightest. Since 2016, Bradford co-leads a quartet with reedman and musicologist Hafez Modirzadeh (Amir ElSaffar, Rudresh Mahanthappa), supplemented by the strong and impassioned ...

ARTICLE: ALBUM REVIEWS

Frode Gjerstad: Bop Stop

Read "Bop Stop" reviewed by Giuseppe Segala

A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...

ARTICLE: ALBUM REVIEWS

Frode Gjerstad Trio + Steve Swell: Bop Stop

Read "Bop Stop" reviewed by John Sharpe

The bones of Norwegian saxophonist Frode Gjerstad's Trio go back a long way. He first co-opted drummer Paal Nilssen-Love into his Circulasione Totale Orchestra when he was still a teenager. Although bassist Jon Rune Strøm is a more recent recruit, he has still been on board since 2011. As such the consistently high quality interplay they ...

ARTICLE: ALBUM REVIEWS

Rich Halley 3: The Literature

Read "The Literature" reviewed by Karl Ackermann

A native of Oregon, saxophonist Rich Halley spent enough time in Chicago to absorb the ethos of the AACM and intermingle the influences of Thelonius Monk, Charles Mingus, and Ornette Coleman, to name a few of his inspirations. Over his thirty-five year recording career he has worked with Michael Bisio, Bobby Bradford, Nels Cline, Vinny Golia, ...

ARTICLE: ALBUM REVIEWS

Rich Halley 3: The Literature

Read "The Literature" reviewed by Dan McClenaghan

After spending a few formative musical years in Chicago--where the winds blow the blues around--saxophonist Rich Halley made his way back to Portland, Oregon. Halley's recording career made its leap to the top shelf when he joined forces with drummer/record label honcho Dave Storrs at Louie Records. Four excellent recordings under Halley's name saw release on ...

ARTICLE: PROFILES

Bobby Bradford: Musician, Educator, Survivor

Read "Bobby Bradford: Musician, Educator, Survivor" reviewed by Daniel Graham

In 1991 the prolific saxophonist David Murray recorded Death Of A Sideman (DIW), an album that put a spotlight on the compositions of Mississippi born cornetist Bobby Bradford. A long time coming, Bradford's music was finally receiving the kind of recognition it deserved, and from one of jazz's biggest names. Murray had been a student of ...

Vinny Golia Sextet: Trajectory

Read "Trajectory" reviewed by Mark Corroto

Walking in the canyons of a big city like New York or in the old-growth forests of California Redwoods, it is almost impossible to acquire perspective. One cannot stand back far enough to take in the enormity of the scene. It is best to embrace the hugeness and enjoy the experience. The same can be said ...

ARTICLE: ALBUM REVIEWS

Vinny Golia Wind Quartet: Live At The Century City Playhouse – Los Angeles, 1979

Read "Live At The  Century City Playhouse – Los Angeles, 1979" reviewed by Mark Corroto

If you were born yesterday, you can be forgiven for believing the West Coast jazz scene begins with Kamasi Washington. As with most things related to jazz, New York is the focus, with slight consideration of Chicago. The rich history of Los Angeles' creative community, including the early Ornette Coleman ensembles, Dexter Gordon, Horace Tapscott, Frank ...