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Content by tag "Robert Fripp"

Guitars on Three Continents

Read "Guitars on Three Continents" reviewed by Geno Thackara

Gonzalo Esteybar
One Look
River Flow Records
2017

Even when you can glean a lot from a first glance, it still usually means just scratching the surface. Gonzalo Esteybar knows his way around the instrument enough to have studied in Robert Fripp's Guitar Circle and repeatedly toured with its ...

ARTICLE: LIVE REVIEWS

King Crimson at Salle Wilfrid-Pelletier / Massey Hall

Read "King Crimson at Salle Wilfrid-Pelletier / Massey Hall" reviewed by John Kelman

Part 1 | Part 2


An Evening with King Crimson
Salle Wilfrid-Pelletier / Massey Hall
Le Festival International de Jazz de Montréal / Non-Festival Event
Montréal, Canada / Toronto, Canada
July 3, 2017 / July 5, 2017

Having covered the reunited, refreshed and reinvigorated “seven-headed Beast of ...

Orion Tango: The Apple Of No

Read "The Apple Of No" reviewed by Geno Thackara

In times as strange and uncertain as ever, Orion Tango prefers to remember that there are some silver linings we can count on and “the world doesn't have to go this way," as guitarist Tim Motzer explains it. One steady constant of course is the power of music--edge-of-seat improvisation is this power trio's specialty, and the ...

Theo Travis: Open Air

Read "Open Air" reviewed by John Kelman

It's been a very busy decade for Theo Travis. The British reed/woodwind multi-instrumentalist has appeared, to varying degrees, on literally every album that Steven Wilson has released since turning to a solo career in 2009--from Insurgentes and 2011's Grace for Drowning (Kscope), through 2013's best-selling The Raven That Refused to Sing (And Other Stories), 2015's commercial ...

Zero Times Everything: Sonic Cinema

Read "Sonic Cinema" reviewed by Glenn Astarita

Multi-instrumentalist Richard Sylvarnes encapsulates the trio's approach by stating: “In film making it is critical to create a sense of space; a world wholly imaginary that we can enter completely and without reservation. That is the first critical step in the creative process of Zero Times Everything." Therefore, it must be asserted that the musicians have ...

Olli Hirvonen: New Helsinki

Read "New Helsinki" reviewed by Roger Farbey

Hailing from Finland but now resident in Brooklyn, New York, Olli Hirvonen won first prize in the 2016 Socar Montreux Jazz Electric Guitar Competition. Significantly, the jury was presided over by John McLaughlin.

“Arps" opens with cascades of Robert Fripp-like quick-fire obligato notes, rapidly ascending and descending the fretboard and instantly hooking the listener. ...

Tohpati Ethnomission: Mata Hati

Read "Mata Hati" reviewed by Dave Wayne

Indonesian guitarist and composer Tohpati, like his countrymen Dewa Budjana and Dwiki Dharmawan, is a busy studio musician who somehow manages to keep several of his own distinct musical projects moving in parallel. The most well-known of these is probably simakDialog, best described as an Indonesian jam band whose copious recorded output has been cut short ...

Wingfield Reuter Stavi Sirkis: The Stone House

Read "Wingfield Reuter Stavi Sirkis: The Stone House" reviewed by John Kelman

At a 2009 ECM @ 40 celebration in Mannheim, Germany that was part of the ongoing Enjoy Jazz Festival, Italian trumpeter Enrico Rava spoke, in a public interview, about how free jazz, back in the day, wasn't really free. There were rules: no time and/or no changes, for example; with memorable melodies not impossible, but not ...

ARTICLE: CD/LP/TRACK REVIEW

Mahavishnu Orchestra: Apocalypse

Read "Apocalypse" reviewed by Julian Derry

Well, there's not much to say about the new release of Apocalypse. Well, not as much as many Mahavishnu fans had hoped; rumours of a long awaited and much needed remastering of this legendary album, making the rounds of the mailing lists were alas, premature. So what is this CD? Answer: it's the exact same, level-for-level ...

ARTICLE: INTERVIEW

Tim Bowness: Ghost Lights and Life Sentences

Read "Tim Bowness: Ghost Lights and Life Sentences" reviewed by John Kelman

As much as it's something most would prefer to avoid, when a pair of musicians share a lengthy musical history together it's difficult not to compare and contrast the work they do when apart. Beyond contributing added clarity to their individual work, it helps to articulate what each of them bring to the table when they're ...


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