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ARTICLE: RADIO

Cale Brandley & Triptych Myth and Philip Zoubek

Read "Cale Brandley & Triptych Myth and Philip Zoubek" reviewed by Maurice Hogue

Master drummer Andrew Cyrille turned 79 in November. His wonderful new recording Lebroba, following on the heels of his acclaimed The Declaration of Musical Independence proves age has little to do with creativity. You'll hear two tracks from the new release which features Bill Frisell and Wadada Leo Smith, another septuagenarian at peak powers.

ARTICLE: RADIO

Sean Moran, James Banner’s Usine and More

Read "Sean Moran, James Banner’s Usine and More" reviewed by Maurice Hogue

Exactly one day after the funeral of his beloved wife, and urged by friends and family, Polish saxophonist Leszek Żądło along with bassist Andrzej Cudzich and drummer Janusz Stefański entered Studio Stebo in Krakow, Poland in 1995 and recorded some very emotional and powerful music. Finally released, that recording is the feature on this week's episode ...

ARTICLE: ALBUM REVIEWS

Andrew McAnsh: Illustrations

Read "Illustrations" reviewed by Dave Wayne

Its liner notes, song titles, and cover art liberally peppered with references to Japanese culture and Zen Buddhism, Andrew McAnsh's debut recording, Illustrations was inspired by the young trumpeter / composer's journeys through the Land of the Rising Sun. However, McAnsh's original compositions--far from displaying any direct influences of Japanese ethnic music--are relentlessly hard-hitting modern jazz ...

ARTICLE: ALBUM REVIEWS

John Blevins: Matterhorn

Read "Matterhorn" reviewed by Vincenzo Roggero

Convincente album d'esordio (prodotto dal Kneebody Shane Endsley) di un ottetto/nonetto capitanato dal trombettista e compositore John Blevins, giovane musicista attivo nel jazz, nel funk, nel folk-rock, nella classica contemporanea e presenza costante nei circuiti underground newyorchesi. Matterhorn riunisce giovani musicisti, alcuni già in evidenza con album da leader come la pianista Marta Sanchez, qui impegnata ...

ARTICLE: ALBUM REVIEWS

John Blevins: Matterhorn

Read "Matterhorn" reviewed by Dave Wayne

Back in the 1960s, when the music now commonly known as fusion was called “jazz-rock," the earliest bands to get plastered with said label were essentially funk and rock rhythm sections--guitar, bass, keys and drums, plus or minus congas--with a lead singer and a jazzy horn section tacked on. Think Blood Sweat and Tears, or Tower ...