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Gigi Gryce
Born:
Gigi Gryce was born George General Grice(sic) on 28th November, 1925 (not 1927) in Pensacola, Florida - although he was brought up in Hartford, Connecticut. He spent a short period in the Navy where he met musicians such as Clark Terry, Jimmy Nottingham and Willie Smith, who were to turn his thoughts from pursuing medicine to the possibility of making music for a living. In 1948 he began studying classical composition at the Boston Conservatory under Daniel Pinkham and Alan Hovhaness. It has been reported that he won a Fulbright scholarship and went to Paris to study under Nadia Boulanger and Arthur Honegger, although confirmation of this has been hard to establish. Although illness interrupted his studies abroad, the fruits of this immersion in classical modernism were the production of three symphonies, a ballet (The Dance of the Green Witches), a symphonic tone-poem (Gashiya-The Overwhelming Event) and chamber works, including various fugues and sonatas, piano works for two and four hands, and string quartets. Gryce strictly separated his classical composing from his work in jazz and received inspiration and instruction from a number of 'unsung' jazz saxophonists
Sahib Shihab, Danish Radio Big Band, Mohamed Najem
by David Brown
Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective. This week, Sahib Shihab in Scandinavia; The Danish Radio Big Band as led by Thad Jones and Mhio Hazama. I'm also back from Paris record store ...
With John Coltrane 1957 Revisited
Label: Ezz-thetics
Released: 2023
Track listing: Monk’s Mood; Abide With Me; Well, You Needn’t; Ruby, My Dear; Off Minor; Epistrophy;
Crepuscule With Nellie; Ruby, My Dear; Trinkle Trinkle; Nutty; Functional (alternate 1).
Thelonious Monk: With John Coltrane 1957 Revisited
by Chris May
Once again, the ezz-thetics label has taken some of the finest artefacts of mid-twentieth-century US jazz and sonically restored them, bringing an unprecedented level of clarity, precision and presence. It is no exaggeration to say that the Swiss-based label's work can be compared with the restoration of Michelangelo's frescoes on the ceiling of the Sistine Chapel ...
Art Farmer: Portrait of Art Farmer
by Richard J Salvucci
When a recording that is over six decades old sets a listener to thinking many different things, it is clearly something special. Art Farmer was something special. With a bump or two along the way, virtually everyone--except perhaps Art--knew it too. He and his twin brother, bassist Addison Farmer, began their careers in jny:Los Angeles in ...
Bill Evans: Ten Essential Sideman Albums
by Chris May
Bill Evans attracts a special sort of fan. Clinically obsessive is a reasonable description. While far from undiscerning, we find something, usually plenty, to enjoy in every record Evans played on. And we want them all in our collection. Evans' hardcore fans include practically every musician who played with him. Eddie Gomez, his ...
Sasha Dobson, Steven Feifke, David Murray and Others
by Jerome Wilson
This show features an eclectic mix of musicians including Sasha Dobson, David Murray, Gigi Gryce, and the Steven Feifke Big Band. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Harrison Bankhead Sextet “Chicago Senorita" from Morning Sun ...
Art Farmer: Work of Art
by Jon Block
My favorite (jazz) album is The Art Farmer Septet (1956 Prestige PRLP 7031 of 1953-54 sessions previously released on 10" disks). It features the arrangements and compositions of Art Farmer, Gigi Gryce and Quincy Jones. It still makes me move and groove, from the first clave click on the steaming hot Afro-Cuban “Mau Mau" all the ...
D.B. Shrier: D. B. Shrier emerges
by Mike Jurkovic
The provenance behind this full-bore blow out recorded in 1967 by jny: Philadelphia tenor sax legend D.B.Shrier differs from most myths in the fact that we now have pure, full-blown proof of what a night in his company sounded like: A scorching combustion of energy, virtuosity and audience adulation. Originally released by Alfa Records ...
Dmitry Baevsky: Kids' Time
by David A. Orthmann
Dmitry Baevsky is a jazzman in his middle years, a period when many players consolidate youthful influences and put their stamp on the rarefied practices of the mid- to-late 20th century. The alto saxophonist has recorded for several labels, and travels widely as a leader and sideman; to his credit, he continues to give the impression ...
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