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ARTICLE: JAZZ POETRY

Poetry and Jazz: A Chronology

Read "Poetry and Jazz: A Chronology" reviewed by Duncan Heining

My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball"
Four Points by Sheraton at LAX
Los Angeles, CA
May 23-27, 2018

Part 1 | Part 2 | Part 3 | Part 4

Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball"
Four Points by Sheraton at LAX
Los Angeles, CA
May 23-27, 2018

Part 1 | Part 2 | Part 3 | Part 4

The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...

Ten Men

Read "Ten Men" reviewed by C. Michael Bailey

My unscientific estimate contends that there are three female vocalists for every male vocalist. This does not mean that there are no male vocalists out there as evidenced by these ten examples. They just take a little longer to accumulate.

Jay Leonhart and Tomoko Ohno
Don't You Wish
Chancellor Music

Jure Pukl: Doubtless

Read "Doubtless" reviewed by Roger Farbey

Melissa Aldana guested on two tracks featured on Jure Pukl's previous album Hybrid (Whirlwind, 2017), so it's no surprise that she's been recruited again for Pukl's follow-up recording. However, taking a slightly different tack, the saxophonist has dispensed with a piano or any chordal instrument for this set. But having two front line tenor saxophones isn't ...

ARTICLE: CD/LP/TRACK REVIEW

Walter Smith III: Twio

Read "Twio" reviewed by Roger Farbey

The unashamedly retro cover art of Twio accurately signposts the content of this imaginative album's track selection of jazz classics and standards. The only exception to this programme is Walter Smith III's original composition “Contrafact," chordally based on “Like Someone In Love" but given a 5/4 makeover. This involves the twin tenors of Smith and guest ...

ARTICLE: CD/LP/TRACK REVIEW

Sam Taylor: Along The Way

Read "Along The Way" reviewed by Jack Bowers

On almost half of the nine tracks on Along the Way, tenor saxophonist Sam Taylor's close-knit quartet is actually a quintet thanks to the emphatic presence of the renowned Philadelphia-based tenor, Larry McKenna. Taylor's impressive visitor, two months shy of his eightieth birthday when the album was recorded in May 2017, keeps on playing with the ...

ARTICLE: THE BIG QUESTION

Presenting Problem

Read "Presenting Problem" reviewed by Duncan Heining

Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...

L'ultimo hipster. La vita e la musica di Mark Murphy

Read "L'ultimo hipster. La vita e la musica di Mark Murphy" reviewed by Angelo Leonardi

Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica.

Eppure già prima della sua scomparsa -il ...

ARTICLE: INTERVIEWS

Lew Tabackin: A Life in Jazz

Read "Lew Tabackin: A Life in Jazz" reviewed by Rob Rosenblum

Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling.

Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...