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ARTICLE: ALBUM REVIEWS

SEED Ensemble: Driftglass

Read "Driftglass" reviewed by Chris May

After decades in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a rebooted style which reflects both the Caribbean and African musical heritages of the majority of its vanguard players and also locally created musics such as grime and garage. Jazz was created ...

ARTICLE: ALBUM REVIEWS

Makaya McCraven: Where We Come From (Chicago X London)

Read "Where We Come From (Chicago X London)" reviewed by Chris May

A summit meeting starring luminaries from two of the planet's bleeding-edge jazz scenes--London and Chicago--Where We Come From was recorded at London's Total Refreshment Centre in late 2017 and was first released as a mixtape and a download. It pitches Chicago drummer Makaya McCraven alongside four leading faces on the young London scene--tuba player Theon Cross, ...

ARTICLE: ALBUM REVIEWS

Dakhla Brass: Murmur

Read "Murmur" reviewed by Chris May

It never really went away, but during the late 2010s there has been a measurable upsurge of interest in brassy, post-marching-band jazz in Britain. A high-carat jewel on the London scene over the last few years has been tuba player Theon Cross and his band Fyah. Cross also brings his dextrous bass line magic to several ...

ARTICLE: ALBUM REVIEWS

Moses Boyd: Displaced Diaspora

Read "Displaced Diaspora" reviewed by Chris May

The pre-release anticipation surrounding drummer and producer Moses Boyd's Displaced Diaspora was a sure sign that the cultural revolution that has reset London's jazz world over the last three years has bedded itself firmly into the architecture. Not because the album is a newly recorded set--but because it is not. The disc is a selection of ...

ARTICLE: IN PICTURES

Headliners and Rising Stars at the 2018 Montreal International Jazz Festival

Read "Headliners and Rising Stars at the 2018 Montreal International Jazz Festival" reviewed by Dave Kaufman

Part 1 | Part 2 | Part 3 | Part 4

This year marked one of the best and most well-balanced indoor (paid indoor events) and (free) outdoor lineups at the Festival International de Jazz de Montreal (FIJM). The strength of the lineup stretched across genres and also maintained a consistency over the course of ...

ARTICLE: LIVE REVIEWS

Jazzkaar 2018

Read "Jazzkaar 2018" reviewed by Martin Longley

Jazzkaar 2018
Tallinn, Estonia
April 20-29, 2018

In the year of Estonia's celebrations, having attained a full century as a Republic, its Jazzkaar festival continues to be amongst the very best of the European range. Held annually in Tallinn, and primarily centred around the Telliskivi Creative City, the festival continued ...

ARTICLE: ALBUM REVIEWS

Binker and Moses: Alive In The East?

Read "Alive In The East?" reviewed by Chris May

Something wonderful is happening in London in summer 2018. A disruptive musical movement, led by an inter-connected community of young musicians, is taking jazz in vibrant new directions and finding enthusiastic new audiences. Hybridisation is the name of game, which reflects London's cultural diversity by absorbing locally created styles such as grime and broken beat within ...

ARTICLE: ALBUM REVIEWS

Zara McFarlane: Arise!

Read "Arise!" reviewed by Chris May

Zara McFarlane is a London-based singer and composer with a voice like an angel and a style that reflects her cultural roots in the Caribbean and in the mash-up that is modern metropolitan Britain, where jazz, grime, hip hop, reggae and other musics of black origin are hybridising and shape-shifting with joyful abandon. She is an ...

ARTICLE: LIVE REVIEWS

Brilliant Corners 2018

Read "Brilliant Corners 2018" reviewed by Ian Patterson

Brilliant Corners 2018
Black Box
jny: Belfast, N. Ireland
March 3-10, 2018

Compared to Dublin or cities in the UK, Belfast is usually overlooked when jazz groups tour. When the likes of Wayne Shorter, Charles Lloyd, Ahmad Jamal, Keith Jarrett or Brad Mehldau come to Ireland it's usually a one-stop ...

ARTICLE: ALBUM REVIEWS

Sons of Kemet: Your Queen Is A Reptile

Read "Your Queen Is A Reptile" reviewed by Enrico Bettinello

Con il consueto ritardo (tempo tecnico di maturazione lo definirebbe qualcuno di più diplomatico) anche il mondo globalizzato del jazz si sta accorgendo del talento di Shabaka Hutchings. Chi bazzica infatti il jazz europeo più vivace non può non avere notato da tempo il sassofonista inglese, con i The Comet Is Coming, con Louis Moholo, con ...