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Origin Records: Creating Opportunities and Community

Read "Origin Records: Creating Opportunities and Community" reviewed by Jakob Baekgaard

Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on “labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...

Hans Teuber & Jeff Johnson: Deuce

Read "Deuce" reviewed by Paul Rauch

Bassist Jeff Johnson and multi-reedist Hans Teuber have a musical and personal friendship that goes back to the late eighties when both first arrived in the northwest outpost that is the city of Seattle. The jazz scene in the Pacific Northwest has always been prolific, though to many, a hidden gem outside of the main pulse ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs

While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...

ARTICLE: CD/LP/TRACK REVIEW

Jay Thomas / Gary Smulyan: Lowdown Hoedown

Read "Lowdown Hoedown" reviewed by Paul Rauch

Sometimes the most joyous and satisfying things in life occur in the light of pure happenstance. Such was the case when New York based baritone saxophone master Gary Smulyan ventured west in the 90's to perform and teach at the Jazz Port Townsend Festival in Washington state, in those days directed by veteran saxman, Bud Shank. ...

ARTICLE: BEST OF / YEAR END

2016: The Year in Jazz

Read "2016: The Year in Jazz" reviewed by Ken Franckling

The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...

Claire Ritter: Soho Solo

Read "Soho Solo" reviewed by Dan McClenaghan

Almost any jazz pianist you can think of has taken a shot at the solo recording. Keith Jarrett explores uncharted territory with his wholly improvised approach. Denny Zeitlin and Fred Hersch examine the Standards and some of their own outstanding compositions. Brad Mehldau brings more modern musical mix with his own distinctive tunes stirred up with ...

Jazz Quanta May

Read "Jazz Quanta May" reviewed by C. Michael Bailey

Oran Etkin
Gathering Light
Motema
2014

Multi-reedist Oran Etkin gathers his scattered points of inspiration from the whole of the Eastern Hemisphere and a good bit of the Western one. Etkin's main horn is the bass clarinet...not completely unheard of, Eric Dolphy played a mean one, but one ...

Jessica Williams: With Love

Read "With Love" reviewed by Dan McClenaghan

Successful musicians play “the truth." If you want to hear some truth there are certain artists you can seek out. Thelonious Monk couldn't play anything but the truth, right from the beginning. Pianist Jessica Williams came upon the truth--a purer form of it, at least--after experiencing “the fix of Illness" that she has discussed on her ...

Suzi Stern: Romancing the Dark

Read "Suzi Stern: Romancing the Dark" reviewed by Geannine Reid

When a jazz singer is able to combine skills as a poet, composer, arranger and singer, what type of music is the result? Folk/Jazz/World; but of course! That is the underlying theme throughout Suzi Stern's CD, Romancing the Dark. The Austin based singer has a diverse history of collaborations, working with artist such as: Joe Henderson, ...

ARTICLE: TAKE FIVE WITH...

Take Five With Cheryl Pyle

Read "Take Five With Cheryl Pyle" reviewed by Cheryl Pyle

Meet Cheryl Pyle:

The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...