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Content by tag "Cory Weeds"

ARTICLE: CD/LP/TRACK REVIEW

Cory Weeds: Let's Groove: The Music of Earth Wind & Fire

Read "Let's Groove: The Music of Earth Wind & Fire" reviewed by Jack Bowers

When last heard from, Canadian Cory Weeds was wielding a mean neo-swing tenor saxophone with the superb Jeff Hamilton trio on the albums Dreamsville and This Happy Madness. On Let's Groove: The Music of Earth, Wind & Fire, Weeds moves from tenor to alto (with no loss of merit) alongside tenor and fellow Canadian Steve Kaldestad, ...

ARTICLE: IN PICTURES

Smokin' at The Nash

Read "Smokin' at The Nash" reviewed by Dave Kaufman

Jazz cognoscenti may not think of jny: Phoenix as a hotbed of great jazz. However, a confluence of factors contributes to a remarkably vibrant jazz scene. The city boasts a wealth of excellent jazz education programs spread across universities and community colleges. This has attracted great musicians and educators from around the country who play the ...

ARTICLE: BAILEY'S BUNDLES

Five on Cellar Live

Read "Five on Cellar Live" reviewed by C. Michael Bailey

Corey Weeds' Cellar Live label is dedicated to the most organic of jazz: small ensemble acoustic performance. In 2000, Weeds had opened his Cellar Jazz Club, originally located at 3611 W Broadway, Vancouver, BC. A year later followed the inauguration of the Cellar Live imprint. In spite of the club's closing in 2014, the label remains ...

Grant Stewart Trio: Roll On

Read "Roll On" reviewed by Jack Bowers

Add Grant Stewart's name to the growing list of tenor saxophonists who are gaining broad approval by reanimating exemplary yet by and large overlooked songs from the Great American Songbook and elsewhere and lending them a fresh coat of paint that not only accentuates their timeless charm but does so while swinging in the grandest jazz ...

Cory Weeds & the Jeff Hamilton Trio: Dreamsville

Read "Dreamsville" reviewed by Jack Bowers

Even though the substance and framework of jazz are constantly changing and evolving, the music's bedrock--marked by spontaneity and free-wheeling swing--remains essentially unimpaired and secure. And when it comes to swinging, it's hard to eclipse the irrepressible pulse of the tenor saxophone, an instrument whose long and enduring ties to jazz and swing have been epitomized ...

ARTICLE: TAKE FIVE WITH...

Take Five with Michael Kocour

Read "Take Five with Michael Kocour" reviewed by Michael Kocour

Meet Michael Kocour:
Michael Kocour is a jazz pianist, organist and composer. He also serves as Director of Jazz Studies in the School of Music at Arizona State University. Hailed by the Chicago Tribune as “one of the most sophisticated pianists in jazz," Kocour has performed at venues around the world and has been ...

ARTICLE: LIVE REVIEWS

The Nash Second Anniversary in Phoenix

Read "The Nash Second Anniversary in Phoenix" reviewed by Patricia Myers

The Nash Second Anniversary
The Nash/Private Home
Phoenix/Scottsdale, Arizona
October 31, November 1-2, 2014

There's something about the way Lewis Nash plays drums. No, there's everything about the way he plays drums--selectively, tastefully, underplaying vs. bombastic; in a word, elegantly. Nash's classy combination of swing and sophistication was abundantly evident during ...

ARTICLE: RECORD LABEL PROFILES

Cellar Live Records: The Finest in Live Jazz Recordings

Read "Cellar Live Records: The Finest in Live Jazz Recordings" reviewed by Mike Oppenheim

Cellar Live Records is a contemporary jazz label located in Vancouver, British Columbia. Jazz saxophonist and producer Cory Weeds founded the label in 2001, one year after purchasing The Cellar Restaurant and Jazz Club (later renamed Cory Weeds' Jazz Cellar). Since that time, Cellar Live Records has released over seventy albums.

Performers at Cory ...

Pete Mills: The Anatomy Of A Jazz Release

Read "Pete Mills: The Anatomy Of A Jazz Release" reviewed by Mark Corroto

I'm here to tell you that everything you thought about the making of a modern jazz records is wrong. The notion that there are talent agents selling concepts to record companies--wrong. That bands work on tunes, perfecting them for months before entering the studio--wrong. That jazz musicians make money from records--again, wrong.

I had ...

ARTICLE: INTERVIEW

Mike LeDonne: Where There’s Smoke

Read "Mike LeDonne:  Where There’s Smoke" reviewed by Bob Kenselaar

Mike LeDonne has more than made his mark in jazz over the years, on both piano and organ. One of the New York jazz scene's premier instrumentalists, he's long been a favorite of fellow musicians. “He is incredible," said the late Oscar Peterson, who once described how he would rush to hear LeDonne play every night ...


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